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wQ国家环保部4b

星力手游捕鱼

时间:2020-05-29 14:33:06 作者:人民日报 浏览量:29213

AG官网【ag88.shop】360图片 x90uxaNjTo【r\re Guaceto, a】n eight-kilometre long stretch of coastli【ne north-west of Brindisi, used to be【 know/n as a centre for poor fishing practic\es, black market smuggling and /a drop-off point 【for illegal immi\gration.Now it's famous around t【he world for the【 way 】it's t【ransf/ormed itsel】f.The coast i【s n】ow a\ p\rotected mar【ine 【re\serve and s【trict】 rules are in /place so that /tourism\ and fishin/g don’t】 har】m the nat\ural env\ironment.The【 European Uni】on】 h\as comm\itted to se\t aside 10 per ce/nt o【f【 all i】ts waters as 】marine protecte【d\ ar\eas by 2020. This targ/et was met two y】ears before the d//eadline. Today, 62】5,000 squa【re kilometre/s of marine and coastal waters in Europe are protected, which 【is 【expected to bring【 m/ore than 3 billion euros of annual benefits.In/ 2/001, Torre Guaceto imposed a 【/five-yea/r ban 【on f/ishi】ng to rebui【\ld the ca/\tastrophic\all【y declining s/tocks. To】day, a fe\w loc【als/ are permitted to fish fo\r j】ust one day a wee/k, usin】\g n】ets that c】an’t catch】 small fish.Fisherma【n Cosimo De Bi\asi to【ld 】Ocean/: 】【“Be/\f】】ore the r/eserve w【as\ /establish/ed, this 】whole area was rife 【with dyna】mite fish/i】ng/, cigaret【\te【 smuggling and illegal immigr】a/nts. Today, thanks to /the p【r\otected area, all we can see here is th】e pristine sea.”The protecte【d area is man\aged by【 a consortium \that represents【 local communities and/ the/ World Wide Fu【nd for Natur】e, th】e// WWF.It enf/orces the rul】es that have【 been \agreed with \the fish\ermen. Th【at \includes monitoring the\/ir catches to ma\k【e su/re that the pr】otection e】ffor\【ts are 【effective.And the fishermen are happy with【 the new controls on what t/\hey catch.“When we ca\t】ch a big fish an\d brin/g i\t ashore, we can sell【 it n【ot for f/\ive eur/o/】s, but for】 /20 【to 25 euros,&r】【dquo; De Biasi said.Francesco \de Franco, head of t【he envir\onmental an【d technical unit at the Torre Guaceto con\sortium, said fish stocks h\a】ve recovered in the marine reser\ve.&l】dquo;O【utside the protect\ed area, the levels of\ fish /rem\ain basically the same】 as in the past. And in\s】ide this are\a, the \fis/h /s】tocks have rough【ly doubled,\" h】e \said.Wider be/nefitsAnd /it’s no】t just the sea that&rsquo\;s【 being protected. The dunes and we【t【lands along t】he/ coas\tline are a precious stop-off point for migratory bi/rds】 and a perman【【ent 】home to m/any l/ocal /spec】【ies.\The Torre /Guaceto area, named after its 】centuries-ol\d watchtowe】r, is patrolled day \】and ni】ght by the coast guard and 】the police. They】 【say most danger toda【y comes【【 from careless visito【rs w\ho might pick plants or damage coral\ near the shor\e.To/urists\ who re/spect the environment are welcome).In the p【ast, these sandy beaches were 【f\ull of litter and overcrowded. 】】Cleaning up the area, 】introdu\c】ing 】guided t/our\s and【 l\imiting car a】ccess\ made a 】big diff【erence: now, 【in peak】 season,/ Torre Guaceto /gets】 visited /by 5000-6000/ tourists a day.Mimmo Miccoli fro】m Bres/cia has been visiting for years.&ldq\uo;This /place used to be a m】ess, wi】th/\ cars parked every/where,"\ /he told Oce】an. "Now, all the cars have to /be l/eft in the car /pa【r【【k at th\e\ top of t\he roa\d /—【 /】so the pl】ace is 【no/w much 【nice/r, cl/eaner\.”The \f\low of tourist\s 【also bene【fi【ts businesses that have embraced the】 t\rend for sust/ainability.Ma】ria\ Lanz【il/otti 【runs a restaur/ant in nearby Car/ovigno which s/pe\cial【【ises in lo【ca【l orga/nic cu\isin】e.&l【dquo;We always/ have fresh, good, healthy fish from the se【a," /she said. "And ou】r lan】d produces lo/ca/l toma/toes and so on, so it is very import【ant \for me and for all of us restaurateurs /to have this natural \【res【erve — it’s our marvel!&rdquo/;Backed by European f\unds, o/ne-thi【rd of 】local farms have n\o/w conve\【rted to【 organic productio/n, boos】ti【ng 【the【ir sales by associati/ng their brand【s with the n】ow fam\ous Torr】e Guaceto pr\otected【 area.E】stablished to preserve the environment, this marine protected ar【/ea became an attractive/ ec\o-】tourism destinat】ion with a/ sus/tainabl】e econ\omy &mdas\h; a success story th】a】t\ expert/s say should serv/e an example to othe】r places 】like Torre Gua/ceto/.Ni】co】lò Carnimeo, 【vice-presid【ent of the Torr】e Guaceto mana【gement consortium, \s/ai】d:【 “I \would\ say【 t】hat protecting 10 per cent of 【Eur【ope’s waters is st\ill not eno【ugh — we sho\uld go further, keepi】ng in mind the s/o-called /circ】ul】ar eco】nomy, l\ike wh\at we ha【ve he\re. Thi/s does work, and I would say thi】s is how i【【t should be d】one in other mar【ine protecte】【d areas 】too.&r【dquo;1212121212【/1212Sha/re thi】s articleCopy/p】ast/e the article video embed link】 below【【:CopyS【ha】re\TweetSh\ar【esen/dShar/eTweetS\haresendMoreHid/eShareSendShareShareShareSendSha【reShareYo/u might al【so lik\e 】 / \ Sea ch/an/ge: how 】one 】small】 stretch of coastline in Italy tr】ansfo】rmed itself 】 /【 More aboutEnviro【nm】ental protec【【tionFauna and FloraFisherySea 【 \ \ Most /】v【iewed 【\ \ 】 What in/fluence/ on c【li【mate】】 【is \th\e coronavir】\us】 lockdo\wn r【eally having? 【 / / 【 \ 【【 】 The new AI system sa】feguarding premature ba】bies \from infectio】n 】 \ Messen】ger R】】NA: the molecule that may te【ac/h our bodies to beat cancer / 】 Apple and 】【G\oogle say they'll work together to tra/】c\e spr【ead of c/oronavirus via【 smartphones 【 / / / How】 EU fun\d【ing is【 changing/ t】he face o\f Latv/ian innovation/】 / \ 【 / 【 Brow【se today'/s tags68al

nv3tH\alf of mille/nni【als would tak\e a pay /c\ut to save the plane\t/dDgz

wflUHow can we b/alance urbanisatio】n with protec【/ting the en】vironment and qua/l\ity of life?0wPMnuOA

ToVqMore preparation time and p\eople obeying \con/finem/ent measures has helped Portugal manage its co【ronavirus o/ut/break, it's been claimed.Por】tugal h\as vastly di】fferent COVID-19 in【fecti\on and death rates/ com【pared /to【 n\eighbouring Spain, one of the \worst hit countries.【 Pulmonologist Dr【/ F/ilipe Froe】\s, an advisor to health chief Graça Frei】tas, said/ Portugal ha/d 】benef\i/ted 】f【rom being【 b/ehind Madrid in【 t/erms of the virus\'\ spread. Th\is, he adde】d, had given the/ country time to get hospitals ready【】 and \increase capacity in inte\nsi\】ve ca【re units."The differ【enc】e 【in Portugal was that we/ had more time to/ prepare," Dr Froes told Euronews' Good Morning Europ/e 【sho】w."We think we are three weeks behind】 Italy 】and pe】rhap【s one w\e/ek a/【【nd a half \behind Sp/ain, s】o thi【s gave【 us time,\ precious days, to prepare.\ I】 think\ the main differ】ence was\ also the early e/【n\gag\ement of primary ca\re physicians."Portugal】 declared 【a state of emergency o】n 18 March, just two da/ys after 【】the first COVID-19 deat【h wa\s reported.At the t/ime of【 】\writing, Portugal has confi】rmed 535 C】OVID-19 deaths, w\hich wo【rks out as 52 per one million】 o】f population.\ In Spain, m/ore than 18,000 have been /killed by the disease, giving it a r\ate of 385 fatalities for【 【each one milli【】on in\hab【itants.Madr\id's i\nfection rate is also double that of Lisbon's, al\though this measure can be skewed by ho【w muc\h 【test/ing a country c\arries out.Fr【eitas, Portug】a\l's \director general for health【, said /88 per c】ent\ of t/he country's confirmed ca\ses a/re s\taying at hom【e an/】d don'】t /re【/qu\i/re\ hospit【al treatmen/t. 【】"T】he \hospitals are not overwhelm/ed and we /have more t】ime【 and more [better] cond【itions to follow the c\ritical pat】\ients in the ICUs," she said."The data we have indicates that the maximum of our po/【tential ha【s not yet been r】eached,\ which reflects the evolution o\f /the epidemic.\"'【Unsurp/asse/d civic\ spirit'A study from t【h/e Nova Universit\y of 【Li/sbon indi】cates /the reproduction of C】OVID-19 in/ Port/ugal was 【 the low】es\】t in Europe during the first 25 day【s of the epidemic.Dr F/ro】es believes/ citizen ob\edien/ce has been cru\cial in 【prev】enting further spread 】of \the vir\us."【Most activities are closed,【 such\ as s【chools and commerci】al activiti】es, a/nd most people 【are 】usua\lly\ following the rules and we apply the \recommendations of th\e governmen【【t/," h【e 】said.Eduardo Cabrita,\ Portug\al's minister of in/ternal a】dmini/strati/\on, sai【【d Por【tuguese citizens 】showed "unsurpassed civic spirit" in com【plying with regulations\ over the 】Ea】ster weekend."S\ecur】it【y f/orce/s report very \lo】w levels of circulation of citizens \an\d widespr【e/ad a】dherence to recommend【at】i/ons."On Friday, Presi\dent Marcelo Re//】belo de】 Sousa pr/oposed /extending the national lockdown/ beyond 17 April, until 1 M/ay.Bu\t d【espite promising s【igns】, officials 【are/ warning it may st\ill be 【early to【 【e\val【uate Portugal's【 response to the coro/n【a】virus."The are/a of &\#8203;​housin】g 】in \residentia】l homes a【nd their workers】 is identified as o【f 】particular【 c【once/\rn 】and priority【 for a【ction【," said Cabrita.\Authorities fear the/ d\isease could sp】read rapidly through【 care homes as it【 has in ot/her/ parts of Euro\pe.B【ut Portug】al has take/n huge steps \to 】co【ntain the vi】rus, repatriating around 4/,000 citizens f\rom abro/ad.The Portug【uese go】v\ernment has also gran/ted citiz\en】ship】 rights/ to mi【grant\s and asylum seekers who have residency applications underway.The move was intended 】to ensur/e】 mor\e \people】 in the countr【y c/an access】 so】c】ial security and health care】.Share 】this/ articleCopy/paste 】/t/he article video embed\ link below:CopyShareT】w\【eetSharese【n/dShareTwe\etSharesendMoreHideShar/eSendShareShareShareSe/ndShare【Share【You might als/o lik】e 】 Coronavirus】 in Europe: Latest numbers o【n【/ COVID【-1【9 cases and deat\hs / 【【 / 】 】 / 】 】 \ \ Coron/avirus【 /in Eu\rope:【 Spain allows part】ial re】turn to wo】rk as casu【alty figures im/prove 【 \ \ 】/ 】Co【ronavirus【: Portuga\l/ 【grants temporary citize\nship /rights to migrants 【 【More aboutPortu/galCoronaviruslockd】ownEmer/genc【ySpainC【OVID-19Hot TopicLearn more\ about Coronavirus】 】 Hot\【 TopicLearn more about / 】 Coronaviru/s Browse toda/y\9【;s tagspI0L

r0X5\President Donald Trump】 says he has issued a directive to halt U【S pay\ments 【to t\he\ World Health \【O【rganizatio\/n.T】/he funding wi【ll】\ 【cease pending a review of WH/O's \warnings abo\ut/ the coronavirus\ and C/h/i】na.Trump sa/y【s 】the outb】reak could h\av/\e been contained at its sou【r【ce and spared lives had the U\N health a】gency done a better 【job inv/estigatin【g reports comin\g out【 of China.Trump cl【aims th/e organisation failed \to carry】 out its ///&ldquo\/;bas【ic dut/y&r【dquo; and】 must 【be held accountable.Shrinki【n】g of UK economyEarlier o【n【 Tuesday th/e UK's /tax and spending watchdog/ has s/aid the British econ【o\my \cou【ld shrink\ by 】a record 35 percent】 by June. The bl】eak report come【s fro【m the\ Office for Budget Respo】nsibil/ity.Com/menting【 on the g【\overnment's resp\onse /to the crisis, Finance Minister Rishi Sunak sa\id the measures p】u【t/ i\n p\lace w/ere the \"right p/lan".View his news conference in the video p/l/【ayer aboveOffi】ci【al statistics on Tuesday showed t\/hat hun【dred】s of deaths in British car【e homes have not been in】cluded i【n】 govern【【ment f】igures -- which only /take\ account of death/s in hospita\ls. I】【t【 has led to crit/ic/ism that the eld/erly ar\【e being "airb\rushe】d \/ou】t".Sunak insist【ed that the country's【 battle against coronavi/rus was "n\ot a\ choice between health 【and economics". Other 【key \developments:The/ Internationa/l Mone】tary Fund (IMF) sai】d in its】 latest forecast t/hat the w【orld econo\my would suffer its worst year since the Grea\t Depression of the 1930s \-- and shrink by thre/e percent in/ 20/20.US Presiden】t Donald 【Trump has defende/d his administra/tion's handling 【of the【 pan【demic】, saying he has "to】ta【l power" t\o li】ft the lockdown\ if need be.France\ /and India hav\e jo/ined Italy in/ extending their nationwide lockdowns to stem the spread of the deadly 【nove\l coronav【irus】.These decisi【ons come as the/ number of infec\tions【 worldwide near the two mi/llion threshold. Nearly 120,000 people have【 now lost 【/th\eir lives 】to COVI/D-1/9】.】Foll\o】w all the latest updatesShare thi/s articleCopy/paste the a\rticle【 vid】eo embed \lin/k below:Copy】ShareTweetS】h【aresendShareTweetS/ha【res【endMo/reHi\de\ShareSendShareShareShareSe【ndShar/eSh\a/reYou might also like / / / Rising populism sto【kes disco\ntent but offers f\ew solutions to】 global thre【ats like COV\ID-1【9 ǀ View 】 【 【 / \ C/ould a ce】ntury-old met/hod 】help treat COVID-】【1 pa】tients? 【 】 \ \ \ \ 】 / How to s】tay healthy\ working from h】【ome, according to chiropractor\s\ 】 【 More aboutC】O】VID【-1CoronavirusEuro【pean Un\ionHot Topi】cLea/rn more about / Coronavir\u\s Hot TopicLearn more about 【 Coronavirus \ Brow/se【 tod】ay】9;s tagsL1OO

eVo1Thi/s regenerative fabric no\】uri【shes soi】la0v0

Can corals i/n Jordan sa\ve ot【her reefs from g【lobal warming?

MlnaText s\izeAaAaAlt】hough he wa\s only born in 1984, Hung/arian G\&a//acut\e;bor M【iklós Szőke is\ al【ready a promi/】nent artist of the contempor【ary \sc【ulpture scene in Budapest/\. His main a【rtwor\k/s are public an/imal】 /sculp\tures, \noticeable for】 their “lath-style” and enor/mous si/ze. He prefers to\ work with stainless steel an/d hardwood 】ra】th/er /than traditional marble and bro【nze to give/ his art a more "mo】dern aesthetic"\.The A】tlanta Falcons recently c/ommis】sioned/ the arti\st t/o erect a giant falcon 【statu【/e in time for【 the open/ing】 of【 their n【ew Mer【cedes-Benz Stadi/\u【/m. /With a wingspan of\ /21 meters\ and a heig/ht/ of 13/ meters\, 【the mas】sive stai\nless steel sculpture \【is now the largest bird re/presen/tation in the worl【d. “Calo\/ssus” in Samo【rin \is the larges\t equine st】atue】 in \Europ【e. Other sculptures\ 】by G【ábor can be found arou/nd the world fro】\/m 】Gstaad\ to \Bahrain, 】Washi】ng\ton\ D.C. \to Niz【h/ny Novgorod. View/ this post on In】stagramMa 4 é【ve avat【tuk sz&ia/cute;vemhez egyik legközelebb álló szobromat, a 】Frad\i sa\st, Európa le【gnagyo【bb á】l】l/and&\oacute; k&o/】uml;ztéri mad&aa】cu\te;rszobr&aa】\/cute;t, am/elyet a vilá】\gon sz/in【te mindenhol】 ismernek. A】z a szeretet és b&uum/l;szkeség, amit szobromo\n \keresztül a\z&oacu【te;ta is k/apok nap, mint n\ap, felbecsülhetetle\n, 】e】zúttal kösz&】ouml;】nöm! Hajrá F【radi! ?【???【 #ftc #eag】le #hajrafra/di #gaborms【zoke 】#bud】apest #hung/aryA post shar【ed by Gabor Miklos Szoke, Art\ist (@gab/ormszoke) o\n Aug 9, 2018 at 4:25am PDTIt’s 】【not a surprise /H\ungar\/ian 【media call\】 him “H/un/gary/&rs/quo;s \coolest export” a\nd that he made it into Hungarian Fo\rbes】 Magazin】e&rs】quo;s “【T/op 10 under\/ 30&rdq\uo/; in 2015, or t/hat he has received】 numerous national and international aw【ard【s. Despit】e all the 【success at suc\h a young age, G【&aacu【te;bor never 】/forg\et【s that his sculptu/res are not just about inst【antl/y recogniz\abl】】e 】shape】s and shee\r magnitud/e. View 【this post on InstagramRise Up! /T\his mott【o【 can\ best /desc/ri/be】\ m【y sculpture\, the A/tlanta Falcon! S/he is proud, f】ree \and authoritative at the\】 same time.】 \I c】a】n't wai/t/ t【o see her again! 】???? @mercedesbenzstadium #amb】se #mbs\art #merc【edesbenzstadium #atla【ntaga/ #sbliii #【atlan】t/afalcon #touchd/own #momen【t\ #riseup #publicsculpt】ure #】arr【 #desi\gn #co【ntempor/arya/rt #gabormszok】e #\【atlantafal】con/ #at】lantafal\cons #superbowl #【superbowl【53 #sbliii #a【tlantaA post shar/ed by Gabor Miklos Szoke, Art\i】st (@gaborm【szok/e\) o】n Jan 28,】 2019 \at 8\:03am PST【We sat d/ow\n with him and Berta Hauer, his\ man\ag【er and partner, /in】 their i【mpr【essive stu/dio locate】d \in/sid\e an 【】abandoned/ /f【actory in the/ south o/f Budapest, wh\ich won the d\esign of【fice of th】e year award in Hun】gary /i\n 2016,【 t【o \ask what's the message be】hind/ his ar\t. View th【is post 】on InstagramDante Imperium Part】y in the G【abor\【 M. Szok【【e Studio ????/???】???? #】dant【eimperiu\mbrut #prenyeparty #welcometom【yworld #industria】】lparty #【gabormszoke #studiolife #sex【 #danteem】pire w】\ith @b\ertaha/uer ❤ʊ【39; 】phot/o by @gregusmateA pos/t 】/shared by 】Gabor Miklos Szoke, Arti\st (@gaborm】/szoke/) on Jan 5, 2018 】at 2\:05pm PST/When did your interest 【\/in art and sculp/ture begin?"I’ve been 【i【nvolved in crafts\ since child【hood. I a【lways drew /a l】ot and made little sculp/tu/res】. Twelve /years ag【o, I w\as a/t an art 【retr】eat wi】th\ my】\ univer】sity class\ma\tes and it \was there that I fi\rst/】 gathered w\ood planks/ and stic【ks\, a/nd rea\/liz\ed/ that it could 【actually be a pretty cool\ mean of artistic expression. It&rsq/uo;s almos】t like drawing thin【gs in spac/e【 whilst【 enablin】g you to 【mak【e massive art pieces. I quickly realized/ that this would b/e something big beca】u/se on the way back fro/m the art retreat I put the makeshift sc\ulp\ture\ 】【on top o】\f m【y car and【 /ever/yone was taking photos as I was driving【 away. So I decided to 】pursue t\his \style to make a bigger impression with my sculptu/res. It’s also a way of keeping things fr】o【m th/e past/ an\d /givin\g the【】\m a new exist\ence."What are the sustain\able methods /】a】nd p【ractices yo】u empl【oy\ in 【your a】rt?"My w\hole ar【tistic motto is /giv】ing old things new meanings, kind of 】lik】/e w【ith my stu\dio. Back in its glory days, the Manfr&e\acut】e;d Weiss Steel \and Metal Works he】re in Cse【pel【 was t【he second biggest in Europe. I’m r/eally inspired by old thin\gs because d【espit/e their age/, they tend 【to be】 mu\ch s【turdier【 than】 new ones.""Whe/neve\r I ca】n, I\ create my art from reused materials, tar\ a【nd found objects. Ten years ago around Chri\s【tmas time 】I】 was lef\t with a \lot 】of wood 】that I wou\ldn’t/ n\eed【 in the coming ye】ar. S】】o, in/stead\ of throwing it 【al/l out, I made l/ittle Christmas tree sculpt【ures and sold【 them. Since then, it /has become a/ 】traditi】on and I always do this around Christmas 】ti\】me】. 【On】 the o【n/e h/and, /nothing gets thrown away \and on the other it saves thousands of 【pine t\rees bec/ause 【people\ who【 buy my “trees” won’t be buy/ing real one】s for ma】ny years to come." View 【/this p\ost on InstagramChristmas gift 【alert/: My new X【mas】/ trees are out, save a tree and buy some/ a【rt☝️more/ i\nfo】r\mation/ 【on the /web】site, \click \on BIO;\)/??A post s/hared by Gabor Miklos Szoke, Arti/st (【@gabormszoke)\ on Nov 16, 201】8 at 【7:25am P】ST"Enviro\nmental a】wareness in ge/neral is 【something\ that/【 is very 】important for Berta an】d m【【/yself. B】ack in 20/10, righ【t /a\fter fi\nishing my s【tudie/s, I represented Hungary at a/n/ 】international art\ comp】etition o\rganized by th\e【 Collegiu】m Hungaricum Vienna. The th\eme was the Dan】ube Ri/ver. Unfortunately, &ld】quo;civilization” ha\s dec/imated the once v/ibra\nt river an\d turne\d it i】nto an oily, contaminate【d smu/dg/e. In \the Danube River, the sturg】eon is on the brink of extinction. Th】ese f/i【sh are e【xtremely sensit/ive to】 environmental p【re】ssures, making the\m/ valuable indicators for healt【hy【 rivers. To\ emphasize how dire the situation \is, I ga【\thered pla\stics and debris f【rom the Dan【ube to create "The Last Stu/rgeon" piece. These m/at【eria【ls, the manner of\ formulation, the fish&r【】s【quo;s f【ractured ski/n – all this re/fers to】 its unnatural 】way of perishing an/d \calls 【on the viewer to take greater responsib/ilit【y/ for our h】【itherto ne\gligent attitudes towards the species t【hat sh【are t【his planet 】with us【.""T\he Last /St】urgeon" sculpture in【 ViennaSoc\ial \responsibility\ in general is of great importance to 【you. What ar】e some of the\ most press\ing cause/s fo】r you c】urrently? How do you address them in your a】rt and what else are you【 doing 【to fight for th\】em?"In 2014, 】I wa/s// as/ked to create a symbol for t】he Tollwood F】esti\val in Munich/. This festival is k】n】own fo】r its stance \on envi\ronmental and /ani/mal 】welfare issues. T\hat year the f【\ocus was】 on the \ter】rible conditions endured by fa/rm animals 】so I create】d the “【Sad P【ig”, a gi/ant p【i【g statue t】hat i】s】 far too】 big for the nar/row ste\el cage it is forced to live in. A】【t that ti/me, Munich【 had/ the/ hi【】ghest pork consump\tion in\ all of/【 Europe/ so I \wa\nte】d to r\aise awareness about the animals’ t/ragic fates.""Sa】d Pig"/ at\ Tollwo】od Festival/"Sa【d Pig\" at Tollwood Festival"Also, I try【 to 【do/ what I ca/n for disadva】nta】ged a\】n\d minority communities /here\ in Hungary.\ In【\ 2012 I】/ took part in【 the c】haritable Hello Wood】 art camp/. I d\ec\id/ed to create a tot\em animal in the /form of a “Guardian Tiger” for one of th/e】 poorest v/illages in/ th【【e country, where m】ost members belong to the Roma /mino\rity. The villa//ge endured many hardships and muc】h violence in the pa】st】 】but with the【/ arrival o【f this/ 【“guardian】”】 came media attention and with】 \t【hat, 】g\overnment funds to raise the\ standard of 【/living in this villa/【ge. Th【e villagers love this tiger, t\ake great care/】 【of it, and 】or】ganiz】e an an【nua/l "Tig\er Festi】val". Seeing all this positive \im\pac\】t was one of 【the/ most touchin【g m/oments for me. By do【ing good, good】 cam/e \back to me a】s well because it was this project /t】hat g/ot【 【me global media \attention.""The Guard】ian Tiger【" sculpture"Af】ter the “Guardian Tiger&r【dquo;, the authorities】 of similarly disadvan】taged/ 】lo】c【ales\ started to g/】et in touch with me to brighten up/ the lives of thei\r citizens 【through art【. In 20【13】,【 I installed a guardi/an unicorn in the f【orest near t】he Russian town】 of Vyksa\,/ known for being the largest manufacturer of steel welde\d pipes and railway wheels 【in Russia. The magical creatu】r【e rem/in\ds pe【opl【e that you can be an individual even in a glum, i\ndustrial town. A \si】milar colourful unicorn was create\d the same year in Kazi【ncbarcika, an i\ndu】strial tow\n in Hungary full of apartments' blocks. Lo/cals really【 l\o\ve this 【】unicorn and pla【nt pretty fl【owers on】 the roun\【dabout on which it&rs】quo;s l/ocate\d. I eve【n think that\ one year it won the country&rsq】uo/;s 'Prettiest Roundab\out' award!/""Rainbow Unico【r\n""\I find i/t ve\ry im\portant to improve the visual 】culture of kids so】 that the coming generations kno】\w/ how 】to app】reciate and preserve beauty】. Th【e Hungar】ian town of Érd commis\sioned /\me to bring【 life to local k\ind\ergarten building/s and I d【ecided to get t【he\ ch】ildren in】volv/ed【 by encouraging them to take part in the brainstorm【/in/g process. I 【as】ked them questions like\ what they dreamt of, what th【eir f/avorite】 animals were, et/c. and together we create\d friend】ly animals all around\ the kindergarte】ns./"The Kinder/gart】e】n Project/Eva Szombat"In general, I beli【eve the sculptures in pub/li【c spaces affect 】p/eople&rsqu【o;s l/【ives no matte/r wher【e they are. And 【】as【 for【 【my wo/r/ks, they a\re a【lways\ exactly】 whe【re \they ne】ed to 【be and t/hey always somehow refle/ct and connect to/ the place they are in."Ho/w, in your opinion, does art he】lp】 raise awareness about impor/ta\n\t\ issues\ like a】nimal welfare an/d climate/ ch】a\nge?"In t【erms /of PR and communications, you can do a lot of messagin】g. 【I/ cre】ated a rhino sculp/】ture 【\for the Budapest Zoo in 2013 and it’s a re【curring th\】eme for me. Every ye】ar\ I p/ost a ph】oto of it an/d rem】ind my\ fol】\low\ers/ that this year there are a lot/ fewe】r of t】hem l/ef【t in the wild than the year b/efore." 【View this post on I\nstagra/mVisitin/g Sanyika【 a【t th【e Bartha Factory ?/?@tomi.bartha #【Sa\nyika #Sa】nyib&aacut】e;csi #rhino #rhino/ceros #wild\life #be/echwood #\【sculpt】ure #bigb/oy #gabormiklosszoke #габ【086; 】88;l【4;&【#【1080;клошсё 】82;еA post shared by Gabor Miklos Szoke,\ Artist (@gabo【rmszoke) on Mar 3, 【2016 at 1:20】pm P\ST\"I try to stick /to the animal t】heme /not \only【 be/cause they&rsqu】o;re a cool s【hape【 but because there’s an【 underlying message/ I /【usually want to get across with eac】h work. Because t【he】y are mostly/ on display in public 【】spaces it helps reac/h al/l ag【e grou】ps and social backgrou/nd【s and \ref】lect on the role an】imals pla/y in our lives."Share this article More\ 【from l/ife5bAz

q5G5Now the【】 blame /game \over Brexit appear【s to be in f\ull swing, in Brus/se【ls, they'r】e \starti【ng to kis\s goodby\e to the idea of /an orderly exit by th/e UK on October t/he 31】st."T\o 【put things v】ery fra【nkly \and t\o t\ry and be object】ive, on this parti\cular 【point, we are not r【eally i】n a position where we are/ able /to\ find an agreement."Ea】rlier in the day the EU Commi】ssion spokesperson 】tweeted that emotions are running high, but that the EU】 wants a 】deal.Also i/n town】, suppo】r/ter of a unified Ireland, Sinn F&eacut\e;in's Mi\chelle O'Neill from Northern I【reland. C/oncerne【d about the UK【's sugges【tion of cu【stom】s chec/k】s】 to re】place to c】ontroversial Ir/ish backsto【p."We’re here to make the case f【or /why I/reland nee/ds to be protected. /We【&rs\quo;re /h/ere /to ma】ke the case for o【【ur peace process/. Tha\nkfully, the】 Eu/ropean \Union has been co【nsistent t/hroughou/t the Brexit debate in standing up for the Goo【d】 Fr】/iday 】agreement, and we expect them to hold to th】at toward the end of this【 negotiation. Clear】ly we look li【ke we&rsquo【;re mo【ving toward a clif】f /edge\ Br】exit."T】he UK's Brexit secretary Stephen Barclay will 】spen【d Thu/rsday in 】B/russ\el】s with his【 /EU counterpart /Michel Ba【rn【ier.Talks r\es【umi\ng \amid fadi/ng hopes 【\for comp】romise【s 】on either sid\e."On the whole, the escalting communicat\ion\ \hasn'【t\ been very helpful and i thi】nk it\ has /damaged goodwi【ll and【 the lit】tle\ bit of trust that was l【eft," says Larissa Burner - European Policy Centre.Pressure【 on /Boris John】son the【n】 in/ the\ run u\p next week's summit of】 EU lead】ers.It'll be h\i/s first 】visit【\ to/ Brussels as prim/e ministe】r and the 27 other E】U leaders will col【lectiv\ely \gri/l\l him on what's【 he had【【 to say.Share this ar【ticleCopy/paste 】the article \video embed\ lin】k【 below:Co/pyShare/Tw】eetSh【ares\endSha/reTweetShare\sen】dMoreHideShareSendShareShareShareSen/dShare【ShareYou might also like 【 \ / 【 T\he week in Euro\pe: 【how is the bloc faring in t/he coronavirus fight? /】 /】 】】 【 / Green mayor calls /】for Pari\s to ban outdoor heaters amid \CO】2 concerns 【 \ / 【\】 / The \B/rief: fund】i】ng Europe�】39;/s green ambit【ions / More/ abo】utCl】imateE\nvironmental pro】tectio/n】Fossil fuelsHot 】Topi\cLearn more about Climate Ho】t Topic\Learn mo/re abou\t Climate \ 【 【/ Browse toda】y&#/039;s t【agsogr6

7obsBy 2050 around 80% \o/f th/e w/orld's po/pula\t】ion w\ill 【be【 living i\n urban areas.【Currentl\y, they occ\upy【 3% of the Earth's】 surface but produce around 72% of gr/eenhouse gases.Gro\wing urba【nization along with climate change will have a 【seriou\s impact on 】o/ur life in /【citie】s in\ ter/ms o\f air quality, warmer tem】peratures and high\er 】【floo】【d 【risk.But /so【lutions 【to reducing the environment\al impact and i【mpro/ving people's quali【ty of life\ ha/【s been found i/n nature/.Scientists【 working at the European project UR\BAN Gre\en-Up【 in Va/【【【l\ladoli】d, /Spa】i//n are te/sting Nature-\Based Sol【utions (NBS) that could a【llow sustain】able urban development.【Involvin\g 25 partner\s from 9 countrie\s /and 8 cities, the p】rojec/t found that the】 key is in th/【e natural properties which ca】n be employed to】 mitigate climate change effects.URBAN 【Gr【een-Up proj【ect coordinator, R\a&uac\ute;l Sánche】z Fr/ancés, explains】 【that some plants can wo/rk as a therm【o-re/\gul】a/to】r and reduce the temperature of 【s【urround/ing【s./"For th】at, we have solutions like green roofs, mobile v\ertical garde】n \or green\ f/aca/des."An im】【por【ta【n】t part of/ t/he project is dedicated to 【th】】e tr【e/atment of air\ an\d】 rainwater in cities.S】pecific type/s of plants, thro/ugh】 their leaves and roots, can work \as natura\l filters."/That solution is an urba【n biofilter," sa/\ys Franc&eac】ute;s】/\. "We used /to call /it green \【chi\mney. We want【 t\o install it on the roof close to the chimneys to clean up th/e】 【【output of\ combustion.""This system is able 【to mainly catch n】itrogen oxides an【d 【\【part/icu【late matter, the two m\ain pollutants 】issued by vehicles and heating systems.The po【tential of nature-based sy【\stems is significant.For example】, in Valladolid a cycle \lane and a】 g【ree】n pavem/ent could pre\v\ent the emiss\ion\ of n/early 200 tonnes CO₂//; and reduce \te/mperatures by 5°C du/ring summer.But the cit\y&\r【squo;s configurat\ion 【/is】 a 【fa/ct【or to】 deal with/."We h】\ave to solve some iss【ues, the main one is t】he lack 】\of sp】ace. Then, w】e \also have problems 【【with o】ccupy】【ing public spaces, b/ecause we 】have unde】【rground w【ater【 pipes, e】lect/ri\c n【etwo【rk, underground p\arking," says Alicia Villazán Cabe【r【】o, a s】enior e【nvi/ronmental consultant at Valladoli【d city 】council【.Valladolid, /Spain, Izmir, Turkey and】 Liverpool, UK are the /three front r/unners 】citie】s wh【】】ich are t/e/sting more than \forty na【\ture】-based methods.Liverpoo】l【 is a city with huge traffic density: 1.35/ b】illion /vehicle】 miles were travelled on】 its roads in 2018 acc\ording t\o officia【l statistic//s.B【ut solutions like arboreal interventions, for instance, are ex】pected to r【educe carbon】 emission【s by 5.55 tons p】er ye】ar and te】mpe/rature】s by 2-4°C during 】the summer seas】on."We have issues \wit【h air q/uali\/ty in Liverpool. We【 /h【av【e a few hotsp】ots 】\around the ci【ty so \【these\ trees will hel/p us clean up 【there,"【 says Fernando N\u/&/nt】ilde;ez Veiga, the/ divisi\onal /ma】nager for majo//r\ hi】ghwa】ys/ projects at Liver】/p】o/ol city /council."The trees are just pha】se one. We ha/ve planted 1 trees//, the p【lan is to plan【】t more than 150 trees.【 That wil/l h【elp \to clean /up this area."The b\【irthplace of Be】atles is implementing several tail\ored strategi【es, /such as green routes, bio pollutant filters, 【pollinator gardens, and sust/aina】ble dra【inage\ systems to reduce the impact of flood risks.【"What we a】r】e looking to】 do is to put thes/e 】green】 interventions into the right place in the c】it【y; \we wi【ll be】 monit【ori\ng air qu【alit【y, water quality, biodivers【ity, looking \at wellbe/】ing/, people’s percep】tion of/ the \area, and /loo\king a】t some economi/c indic【ators as well," sa\ys Juliet Stapl】es, a s\enior pr【ojec【\t manager for URBAN \【Greenup 】at Liverpo\ol c【ity coun/cil.Once the whole set of nature-/based【 s【oluti【ons】 is 【v【alidated, it will be transf/erred to a\nother five cities; Mantov】a, Italy【; L【udw】igsburg, Ger/man【y\; Medellin, Colombi/a; Cheng/du, China; Binh Dinh, Vietnam and \replicated all over the world, to green up our more/ and more overcrowded urb【an areas.1212121212121212J/ourn\alist name/ • \Katy Dartf\ordShare this articleCopy/paste the artic/le video embe\d li】nk below:CopyShareTweetS\haresendSh/areTweetSharesend/MoreHideShareSen/dSh】areShareShareS【en\dShareShare】You might a】lso like 【 / Smart farming: how tec【\hno\logy is i】mproving animal welfare and efficiency in agriculture 【 \ \ / / 】\ 】 / Can d】rones help/ greek olive oil producers【】/? / / \ Captu】rin【g CO2: How to\ reduce ca/rbon d/ioxide/ 】emi】ssions 】from the ceme】nt indu】//stry / 】 】 More aboutEnvironmen\tal prote】c【tionEcologyScience【 \ Most vi】ewed \ / /【 】 Wha】t influence o\n climate/ i【/s /th\e cor【onavirus lo\ckdown rea\lly hav\i【ng? 【 【 】Th【e\ new AI system safeguarding pre\ma\/ture babies from/ 【infection\ 】 \ / Messenger RNA/: t\he molec/ul\e【 that may teach【 our b【od\ie\【s to beat cance/r / / Apple and Googl【e \say they'll work together t】o 【trace spread】 of coronavirus via sma】rtphones 】 How EU funding is chang】ing the fac】e of Lat/vian innovat/ion 【 【 】 Browse today�/39;s tagsGQhL

LwmLThe Ol\d Port, Mars】eille\’s popular wa】terfro/nt, h\ides a dirty secret.Electric scooter【s, tires a【nd pla】s】tic bottles litter 【【the seafloor.Annual clean-up operationEver【/y 】【ye】ar, volunte/e/rs gat/her/ to clean up some of /the mess. Hundreds of scuba divers collect th/e \rubbish, whic】h is t【h/en【 sor\ted\ an【】d rec\ycled, or otherwise safely dispose/d】 of,【 by 】l】oc\al activists.&ldqu】o;We find a 【lot of【 scooters, ra【i【ling【s, cans, bottle【s,” says Angie Espine【l Caño【n, 】a volun【\t/eer with// Team 13. &ld【quo;The goal【 i【sn&rsqu/o;t just to clean up, it&rs/quo;s also to 】ra】】ise awareness】.&r/dquo;“Last year, we recover【ed 91【m3 /of \waste,” s/ays I\sabelle P/oi】tou/, anoth】er volunt【eer f】】rom the Merterre Associa/tio\n. “The year【 before it】 was 13】1m3, so \that’s a decrease of 40m/3. This/ year, j【udging \from what I c/an s【ee】 and my experience, \I’d say it&rsquo】;s les\s again."We fin】d a lot /of scooters, rail/ings, \cans and bot/tles. The goal isn’t just to clean up, it【’s also to raise awareness. 【 Angie Espinel Cañ/【on / Vo【luntee】r, Team 13 】 With smu\rfs 】for ma】scots, the\ event】 i【s】 a part of the "EU Be】ach Cleanup" campaign -\ h【elping to raise aw//areness of the Europe/an response /to th】e\ marine p】ol【lut/【i【on pro\blem【. One o/f【 the divers is Alai\n Dumor/t — 【the EU’s representa/tive in Mars/eille.“Some 】waste is potentially 】recyclable,&rd/quo; says Dum\ort【. “But 【unfortu\nately 【【not/ sin\【gle-use objects, which go strai\ght in the bi/n. That's why from 2021 the /EU /will 】be banni\】n/g all this kind of single\-use utensils &\mdash; pla】tes, s】tir【rers, cotton bu【ds, /and so on - all the things yo/u fr【】equently find on be】ac】】he\s will be banned.”Mos】t ocean waste co/mes from urban areasAn imp\ortant aspect of the campaign is public outre/ach. Mi】【llions 】of tons of/ waste - mostly coming from u/rban are\a】【s - 】en】d /up in \the ocean 】every/ yea\/r】/.】 It’s been calc\ulated that on every square】 mile /of ocean, thous【ands of piec】es o\f rubbish \are floating./“The fig\ures【 【show that【 80% of marine li\tter originates on land,” ex\pl】ains Olivier Bianchimani/, th】e dir】ector of Septentri\on 】Environneme\nt. “It'【s eithe【r w/ashed away【 by 】/rivers or dis【carded/ d【irectl】y into/ the sea. As you can imagi\ne, it wasn't wind that brough】t r/ailings and bicycles /here.”At \over 【7【0 beach cle】an\up eve【nts organised t\his year b【y the EU a【nd the UN, almost 40 /000\ participants collect\ed ar】ound 】850 ton/s of waste &md\ash; from Camb【/odia to Haiti - and Argenti/】na to】 No【rway.The】 figu/】res show 】\】that 80% of ma/【rin\e litter ori】ginates【 on la/nd. 【 【 【 【Ol【ivier Bianchimani 【 【 Director, Septent】r/ion】 Environnement 【 &ldqu】\o/;This needs to be s/een i/n a【 much broade\r c【ontex】t,&rdq【uo; says Dumort. \&ldqu\o;Ot】herwi【se t\】his would be a loca【l event,【 and you’d be asking \wha\t's】 Europe go【t to do with it. Europe's involved/ precisely because this is a globa】l problem, and 】requi】res a whole s/eries 】o】f a/ct/ions and laws a】t an i】nternational l\/e】v】el.”The Euro/pean Union is\ leading the globa】l 】fight \aga/inst marine li】tter.【 Be//sides its 【policies curbing single-use p\【lastics【 and re/ducing waste from lost fishing gear, the /EU has earmark】/ed\ €350 million for research an【d deve【lopment.Mini-cata】maran scoops】 debris from t\he wa】ter\One/ of the EU-supported tec/hnologies is WasteSha【rk,【 devel【oped in Rotterd】am. A re\motely contr\olled 【m【in\i-catamara】n removes plastics /and othe【r floating deb【ris from【】 the surface of t/he water. Its sen【sors can monito【r pollution levels and \other environmental indi\cator】s. It's electri\call/y powered, emission-\free and ca\n collect hundreds of】 kilos of rubbish/\ at a time.“What we'/re】 trying to do is 】create a \small /enough vessel that will 【get into ti】ght spaces w\here waste col\lect\s, particularly in ha/【rbours and ports, and s/top all【 that waste bei【ng taken out into the greater ocean," says Richard Ha【rdiman, the 【founder on Ranmarine T\echn】ologi/es, the startup behi】nd WasteShark.【The bas】ic function of the WasteShar【/k is very simple. But \ins】ide, it【's a】lways changing &mdash】; 【we【're al【ways trying to make it lighter, mo\re eff/icient/, ea】s\ier to do maintenance on. \ /T】\essa Despinic \ 【 / WasteS【hark】 Design Engineer \ 【 】 / \Ranmarine alrea【d【y has c】us】t\omers in s\everal countries. Enginee【rs ar【e workin\g to make the d\evice\ ful【ly auto\nomous — so it】 can\ c】ollect litter and br\ing 】it back t/o the /recharging station /wi【t【h the need for a pilot.“The】】 basi】c \【【fun【ction】 】of the Wast\eShark is very simple,” says 】d】esi/gn engineer Tess\a Despinic. 】&ldq【uo;It just s】wi】m\s around and collec\t\s【 【tras【h from the su】rface. B【u\/t inside, it's alwa\ys chang/【ing — we're【 \always trying to mak//e it 】\lighter, more effic】ient, easie】r to 】do maintenance\ on. And we're also【 building a\n a【utonomous version t/hat will swim \aroun】d according】 to/ waypo/ints that yo\u give it. So w【e're a\lways wor【king on th】at and】 maki】ng it better.】"I\n the near future\, the de/velop/e】【rs envisage swarms 【of their rob【ots \picking up floa/】ting rubbi/【sh.“I have\ /a】 vision in my hea【【d that keeps m\e】 going,” says Hard/iman. “Tha/t is what we'd be sitt/ing in a\ c\ontrol room an】d from our site, we could see whe】re e/very drone is acros【s th\e planet, how many are【 operating, how 【/much waste is bei\】ng caught — an/d actually see the real impact 】of 】that these things are ma【king around the wor】ld."Technical s【【olutions an】d clean-up campaigns are important. But the simple way】 to keep our se【as】 \hea】lt【hier is to\ drop less litter — a】】nd】 tha【t’s】 a lesson for childre\n and/ adults alike.121212121Share\ t/his articleCopy/past】e the a】rticle v\】id】eo 【embe【d li】nk below:CopyShareT/weetSharesendS/har【/】eTweetSharesendMo/reHideShareSendShareSha/reShareSendShareShareYou migh】t also like \ / 】 Wha/t/’s killing/ ou\r und】erwater ecosystems? / 【 Mor\e 【abo\【utContamination of wate【rEnvironmen\tal prote】ctionSea Most viewe/d 】 \ 】 W\hat influence on \climate is 】the coron/avirus】【 】\lockdown really having? 】 【 【 \ The new AI system saf/egu】/【arding pre/mature /babi】es\ from infect\io\n 】【 Messenger/ RNA: 【the mo/【lecule that may teach our bodies to beat c/ancer 【 】 / \ 【【 【 【 Apple a】】nd Google /say they\'ll wor\k toge\ther to trace spread of cor】onaviru】s vi\【a smartphones / Ho/w EU fundin/g is ch\anging the f/ace of Lat】vian innova/ti/on / Brow【se today's ta/gsM8m9

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1FVTT/ext siz【eAaAaTakin【g you on a jou【rne】y ac\ross t/he Yorksh/ire Dales an【d all【/ the way\ to Vanco【uver Is【land, Kate Fletcher&/【rsquo;s "Wild Dress" is an autob】iographica】l me】ander through the tende/r mom【ents wher/e clothing ha\s made her f/e【el 【embedde】d in nature. A Professor o【f su】stainability, design and【 fashi】on at the U\niversity of the Arts Lond/】o\/n; Fletch【er【 h\as】 been /a】t t】\he forefront of 【the\ c】/all for s\/ystematic change in /the fas【hion /industr【y.\ In her 【first col】lection of person【al writin】gs, \】Fletcher】 ha/s chosen t/o explore the complex and often art】ificially detached re】la/【t\ionship between the natur【al world a/nd/ what 【we\ wear.Fle/tcher looks at clothing as/ something m\ore e/ssential and far 【beyond its /si】mple【, modern, role as/ a dis】posabl【e commodity. It’s \no【t difficult to see that our c【ultural relationship with clothing has been【 】distorted by years of f/ast-movin【g/ \mo【de】rn /fashio】n t】rends but as she recou】nts the story of her【 【dad&rsquo/;s favourite jumper, there is a glimmer of some nostalgic, int】ergen/er【ational import\ance that breaks through/. Mending this dec【ade/】s-old piece of clothin/g using wool found 】in hedgerows and on fences she mus\es about this as a/ rebellious /act. “As I worked my lap felt w/arm,” she writes【, “Doing this felt like a way to live not】 j/u】st through the rules of 【modern society.&rdqu\o;Ch/arlie M\ee/chamIt’【s not just abo/ut rebell【ing \for the sake of reduci/ng w【ast/e, 】however. Fletcher rec】o【gnizes the】【 way t/hat modern out】do\or clothing i【mpos【es a kind of】 distance from the natural \world.【 The 】clothing we ch\/oose to wear becomes a divisio【n; 】farmworker vs lando【wner, recr\eatio/nal h/iker vs those \who work the land. A ne【ed for\ spe】/ci】fi【c, tec【h】no\log】ically advanced outdoor gear in b\right neon oil-based mat】erials 【is, Fletcher says, ju\st another in/dicat\ion of rampant cons\um\er \cult/ure.Th/e art installati【on teac】hing us to c【are for our/ forestsLivin/g Recomm【ends | A/ "vital tool】"\ for fighting the rising tide of si】ngle/ use plasticsL】\ivin【g Recommends 】| /No/ one is too s】mall to 【make a d【iffer】enceIt’s\ a v【ery d/\】i/fferent way to int【【roduce this/ message. Distan/t from the usual ev/ils of fast fa】sh/ion’s rapidly evolving aesthetics, she e】xp/lores the im\prac/tic/ali【ty of the always new in【 the/ face o/f the a\n】ci\ent /forces of the elements. Fletcher is【n’t preaching about all of the usual】 sust【ainab】le fa】/shion clichés but instead inviting you to think differently about how you\r/ garments can bring y】ou joy. T\he thrill o【f newness is fleeting 【but\ rich cultural relat\】】io】nships can and will【 last 【a lif//e\【time.Jack Gr\angeShunning the newness\ of n\/eoprene allows you to embrace /a\ more per/me\able【 exterior【. &/ldquo】;Once we\/&【rsquo;re there, we learn from the land and listen\ to the voic/es /of the b\irds and the \rain,” she writes, “We /give attentio】n to the unta【med parts of our【 world, in【】clud/ing that 【part in ourselves. [...] And this】 requires,】 at the least, that we make the \la】yers\ that【 \we build up 】ar【ound ourselves&【\mdash; some of wh】ich 】ar】e【 fashio【n in cloth—more permeable.&rdqu】o; Our clothing does\n&rsquo】;t alway】s have to /fo【rm】 a bar】】r【ier \between th】e inside and t】he outside, sometimes, whe】n your /&ldquo\;co】at&\rsquo;s wide sleeves grip\ onto\ t/h/\e lip o】f a gust&rdquo【】;】 o】r/ your &ldq】uo;trousers, wide-】legged act as a kite&rdq】u/o; it can \help you form \a connecti/on 】with na【tu/re.Kate Fletch/【er's Wi】ld Dress: Clothing a\nd the】 natural world is av\ailable from Uniformbooks, more \informatio】n can be fou\nd here.Share this articl/e M/ore 【from\ lifeP9B5

UP0vBio/economy matter/\sIn this episod【/e, F【u/t/uris vis】its a /bioproduct mill i】n 】Finland where scientists, manage】rs, and inv\estors trying to p/roduce sustainable produ/cts using les/s \water and 】less energy.In the last】 f】e【w 【years, the European Un\ion has invested almos\t 4 billion eu】ros in re】search /a\imed at developing】 the】 economy in su/stai【nabl】e wa/ys.The B\ioecono【my sector a/lready employs 18 mil/lion p/e/ople with an\ annual turnover of around 2 trillion euros.Tha\t's】 /a hug/e/【/ economic pot/en】tial for\ agricul\ture, forestry, fisheries, food\, and bio-energy, that rely on a myriad of bio-base\d p【roducts cu/rren/tl\y being de/v\elop】【ed and hitting the markets around the whole continent.The \pot/ential of //pulpThe &A\uml;änek/osk】i bioprodu\c/t mil】l i】n Finland】 believes that【 it is /possible to【 transform】 up to 6.5 million cubi\c meters of pulpwood\, eve【ry yea\r, without using【 a sing/le drop\ 【of /fossil fuels.240 trucks and 70 full/y【 loaded train-w【ago\ns】 feed the mill every day with birch, spru\ce, and pine./Th\/e wo\od i【s 【used to prod【uce 【pulp, which has an annual\ p/】r】\oduct/ion\ of around 1.3 million tons.And yet, no fossil 【f】uels are \used /in t\he /whol】e pro\ces【s. 】Its managers say the mil/l i\s /completely self-suffi】cient."We are producing two and a half t/\imes more energy】 than we /are using ou\/r】s/el\ves," says Camilla Wikstr/【öm//, the 】senior/ \vi【ce-president\ /o【f Metsä\ Fibre."We /have sludge, an\d from\ the sludge【\, we/ ar\e making biogas. And then 】we have the bark, f\/\rom which we/ a【re m】aking\ product-gas and also the bark is sold out for en/ergy use outside\ the mill."【\The whole system is based on 】the idea of trying to prod】uce sus【tain【able products using less wa】ter and 】/less en/ergy. And co/ming up with ideas of ho】w】】 to use pulpwo/od i】n products other than the \usual paper an\d cardboard:"We have the ongoing pr【oject of making te】xtil/es fr【om the pulp. And also /the p\oss\ibility to 】make composites to replace 】plastics," adds Ca/milla Wi/kström.In la【boratories at the m\il\l, th【e inner prope\rties of raw materials are closely monit【\ore】d. Researchers ar【e driving t/】he development\ of sustainable thr\ee-lay/er cardboards aim\ed at i/n】/novative packagi/\ng."We are/ d】eveloping our /hig】h】\-yie【ld p】ulp】s and we/ are optimizing th】e three-layer st\r【u】ctu\re and\ then we need to know t【he information of the surface layers and then the b/ulky midd/le layer," sa/ys Terhi Saar【i, C/hemist \& director of the techno【logy 【c】enter, Metsä Bo\ard. "And (the aim is) to \make enough stre\ngth and stiffne/ss for our products".The mill required an initial inve/stment\ of 1.2 bill】ion 【euros and 【managers hope tha\t innov/at/ive green products made o\ut】 of wood will 】hel】p【 pa/y o【ff that huge inves\tment."Most/ o【f the new p【roducts/ \developed over 】the last 50 years or so w【er\e based o【n oil, they are \petroch\emical product【s," says Iklas von/】/ Weymarn, CEO of M\etsä Spri/ng."But now the situation /in terms of the business envir/o/nment, including climate】/ chan/ge an/d so o\n, is chang/ing, and【 it opens up new possibiliti】es to produce these prod【ucts fr\om wood."\Bi【【odegradable bagsAnot/】her key step in reducing 】our dependency on fos\sil fuels is/ our/ capacity t/o produce mor【e and better biodegradabl/【e,【 co【mpostabl【e biopla\stics.Resear/chers 【in Novamont \in\ northern Italy are currently developing 】and te\sting】 experimental\/ technologies to create biop】la/st】ic【s 【\fr\om ingred【ients 】suc【h as corn starch【, cellulose and vegetable oi\ls as raw materials.The /manufacturing ch\a\in \is comple\x and includes \mechanical processes 【like extrusion 【and b】lowi【ng, wh】ich trans\forms th/e natural materials\ into biopla】stic 】fi//lms,【 that can late【r be used/ to produce】 /\b】iogradable shop【【ping bag【s a/nd other biod】egrada【ble and com【postable products su【ch a\s 【plat【es, gla【sses and cutlery:The process of composti【n\/g\ or biodegrading】 these plastics into something more element】al, 】like organic carbon,\ or simply 】compo】st, takes \a long ti\me and the right c/ondi\tions.\Ale【s\【sandro【 D】&a】cute;elic【io【, an industrial chem【ist a【t No【【vamont sa/ys i/t's an u】ndergro】und process: "molecules of these 【b/ioplastics become, little by little, simpler, thanks to the a/ct\ion of microorgan\isms."T【he need for mech/anical tests is】】【 als/o importa】nt as bio】plast\ic 】must off/e/r 】th【e same str//ength \a】nd re【si】lience as ord\inary pet/ro/ch【emical plastics./ But ther\e is e\ven m】\ore to it:"Bey】ond /these m【echanical t/ests, w\e can al\/so ma】ke here qualitat/ive tests," says A】le【ssandro D´e【licio.【"We】 can/, for i\nst【ance\, measure the friction rate, or all p【roper\tie\s linked t/o the permeab【ility of the biomateria/ls,【 or /i【ts optical /properties"】These/ tests are part of】 a \Europe/a【n research projec【t ai/med at rethink【ing】 the whole plastic v】alue chai\/n, in an effort to create new business model/s and to better pr/otect the en】vironment./Researc】hers meet regu/larly to\ brainstorm new /innovation/s and 【eco-de/signs using bioplastics."We don´t simply want to c\hange one】 product for ano/ther," s/ays Luigi Ca\pizz\i, head】 】of research & developmen【t at Nov/amont."This is【 not our aim. We【 want to/ develop a syst\em that can mak【e /better use of the reso【urces of the planet; cons/uming【 less of thes/e re/sources, and redistributin/】【g them in a fairer, more】 efficien【t way."Educating the consumerEurop【e pr/oduces\ ar\ound 25 m】i【llion t//ons/ of pl】astic\ waste eve【ry year. On】ly a third is re】cycled, 【the rest/ is either in】carcerated or ends up in landfills,【 s\o u/rgent so//lutions are /\】\indeed nee】ded.Action on plastics was identifie/d by the European Commission in January 2018 as a priority /in the C【ircular Economy Action Plan, to help/ Europe】an/ businesses /and consumer\s to 【use r\【esou\rces i【【n a more sust/aina【ble way\.Sap/onia/, a/ leading de\terg\ent and personal hygiene pro【ducts ma\nu/fact】ure/r in Croatia is already【 us】【ing /b/iopla【stics\】 on the interior of their deterg\en/t pa\ckaging/."We \star/ted usi【ng a certai【n ty\pe of 【bioplas【\tic produ/ct【 /】/and then simply teac】\/h our consumers tha】t/ its\ better for them an\d for the en\viro【nment," says Andrea Bozi】】\c, h\ead of education】 and information center at【 Saponi/a."So ov【e\r【 time//, we noticed【 】that they a\ccepted these types of plas\tics and product pa【ck/ag】ing, so we will simply broad\en it \to our ot【her pro\du/cts."Resea/rchers hope their work will add /to a European 】tar\get of s】ome 10/ mill/ion to\ns of recyc/【led plastic】s being\ t【【】ransformed i\nto n/ew products by 2025.A【lo/ng with research and innovation, sc\ientists/ sa\y, education will play a c】ru/】cial ro/le in me\eting tha/t objective."There are cou】n】tries\】 in Northern Europe whose plastic waste management system i\s ve\ry well im】plemented an【d deve】loped】," says Montserrat Lan/ero, an indus【trial engineer an【//d CIR】/C-PA】CK project manager."Bu\t in other countri【es, th/is management of p】lastic wa【st【e does not ev【en exis【t. A/nd【 many】 cit/izen/s don't know what the implications of this bad manageme】nt are when it 【comes】 to \】how plastics end up in t/\【he o\ceans or ent】\er o】ur f\ood chain【.""So one of ou】r main challenges i【s to understand what are th】e needs\ of each Euro\pean cou\ntr/y to be a\ble to find /as】 many ada】pte\d solutions as we \can".To und】erstand thos【e needs, researc【hers hav】e turned t】o the concept o【f "citizen scien/【ce", /inv【olving consumers associations, to understand what the social and market expe【ctations are when i/t /comes to \reinforcing th】e ci】r】cular economy in the plas】tic sector."We need to e】m/power the citizen. Beca】use often t/hey /don'】t realize t\h】at their shopping【\ decis/i/o】\n is very important /in 】movin/g the market toward】s more \sustainabl】e trend【s," says Bel&eac\/ute;n Ramos, project officer for the envi】ro/\nment【 a】/t the Spani\sh Organi\sation of Consumers and Users Consu【mers - O【CU."B/ut we\ also need to em【po/wer th】e market so it can give\ a】 wider array of c\hoices to the consumer."On【e European research pr】ojec/t studyi【ng /t【h】e possibilities/ of\ crea/ting new b【ioproducts /which we\re previou【sly mad/\e with \chemic/als or oil-based /prod/ucts is the Exil】va biorefinery in N【orway./Scientists there ar【e【 tr】ying to transfor【m trees into products for at s【ectors as diverse as the automotive industry, the adh\esive ind\us【try,/ and even cosmetics.Every year 1 millio】n cubic】 meters of Norw【egia\n spruce \are trans】formed into cel/lulose, l【ignin, bioeth【anols and ce【llulo/se【 fibers.T\hese cellulose fibers/ can be turned/ into 【bioproducts through a proc【ess known a/s 【"fibrillat/ion"."The properties that som\e of the custom】/ers are looking f】or are th\e controlled vis/cosity it off/ers, so for instance /whe【n you are paintin【\g, yo】u avoid drippi/ng 【or sagging of the\ pain\t when you are applying it to t/he wal】l," says Jarle Wikeby, a ch/emical e\ngineer at【 Ex/il\va."Or you can c【ontrol the har/de】\ning 【process within adhesives. And y\ou can also have a g【ood effe】ct by adding the/ product i【nt/o c\osmetics, or \antiwrinkle/ creams】 for instanc/e."Laborato\ry research \helps improve th【e properties of th】e product and en\hance its array of industrial applications.Sc/ientists at Borregaar\d /biorefinery wo\rk to develop hi】gh efficiency and/ robust 】products for harsh environments."We are looking at particle size or specific aggregate sizes,\" 】say【s\ K\ristin 【Weel Su\ndby\, a chemist 】at Borregaard."As yo/】u \might kno\w, we also have\ two different qual/ities, one is more fibri/llated that the other. \And we 】are also starting to】 look at more film properties. With the product, you can ma【ke films/ tha/t have very goo/d\ barrier propertie【/s, oxygen barrier\s, that give strength to the /products."The pro【duct i\s one o\f】 the 700 bas】】ed on n/atural ra/w materials】 /being develope【d the\re, which【 managers 】s/ay is a trend that should grow/ in the c\omi【ng\ years:"Our product is typic\/ally a little help【er. /So you\ on】ly need a \litt\le【 new formulation to change completely a product f\rom oil-based to water-based," says Pal Rombe】rg,/ vice-pre【sident】 of B】orregaard."So 【i/t is not really a cost issue here. 】Consumer a\wareness a\nd general public aw】areness crea\te a drive】 fo\r more sustainability and /greener product\s. And this r\e】ally motiv/ates companies 】out there【 to go d【own【 tha\】t 】road a【nd really/ sp【end on resources fo【r devel】oping new,【 better products".Th】ese better products,【 rese【archers sa】y,/ should keep【 s\tea】dil\y coming to\ the ma】rkets, as t】he \European Uni/on is planning to invest a】nother 10 billion eu】r【os in\ Bioeconomy research by 】2027.12 】 【 FUTURIS \LONG 1\ / 】】 \ 12 / \ \ 】 / / FU/【【TURIS LONG 1 / 】 \ 【 12 】 / \ /FUTURIS LONG 1 】 【 【 【 \】 \ 12 】 /】 【 / FUTURIS \L\ONG \ 【 【 12 【 / FUTURIS LON【G 1\ \ / 】 / / 【 \ 】 Share th/is ar】ticleCopy/pas\te the article video embed link\ bel\ow:CopyShar/eT/weetShare\se\ndShareTwee】tSharesendMoreH【ideShareS/endShareShareShareSendShar/eS\hareY】ou might also li】ke 【 / 】 Sar\dinian thistles play /key 】rol/e in bioplastics 】 【 【 / / Could bio-plastic 】\/be the answer to bot【tl\】e wo\es? 】 \ 【 【 More a【boutSust\ainable devel/opment【RecyclingEnvironm】ental】 protection 】 M/\ost viewed / / 【\ \ \ W【ha】】t influence on climate is the cor【onavirus lockdown really having? 【 /\ The ne\w AI【 system sa\feguar\ding\ prem\ature b\abies f/rom infecti】on / \ / \ Messenger RNA: th\e mol/ecule /th\at may tea\ch o\ur bod\ie【s to beat cancer/ \ 【 /\ / \ / 】 \Apple and Goo【gle sa/y t\he\y&\#039;ll w】ork together\ to tr\ace spread o\f coronavirus via smartphones 】 \ 】 【 How EU funding is changing】【 the face of Latvian innovation 】 【 \ // Brows【e today's tagsvRuf

tB5CThe Eu/rop【ean Union 】h\as stepped i】n to help small /fi【】shing/ communities 】preserve/ their way of】 life, as y\oung people t\urn away from the job that their for】ebears 】d\id/ for generations.T【he Swedish-/speaking i【s】land commu/nity of Pellin/ki in southern Fi\nland is typical of those t/h【e EU 】is trying to hel/】p.For gen\erati】ons, fishing has been a respec/ted trade an】d a traditio/nal way of life for man/y famili/es. But today, t【he number of local fishers is dwindling. Only a few remain\.One r【e\ason is 】dec【l【/\ini【ng catch】es. The fishers blame an in】cr/easing number of 【predators: seals and cormorants \/】damage the c\age\s and dec】imat\e\ f\ish\/ 【stoc】ks.Good c\atches are no longer guaranteed, and t/\he\】 e】conomic surviv【【al of family-r】un fisheries is becoming increasing\ly uncer】tain.M\ost chil\dren from fi【shin\g families make 】a 】safer choice】 to/ leave/ home and study s【ometh【ing else.As their parents age and】 retire, small-sc/ale fisheries, once\ 【typical in Finland, \go ou【t /of busi/ness. Nationwide, the /numbe【【r of professional fishers ha】s decli\【ned in recent decades/ from 10 to aroun】d 400.【Twen】t/y-se\v】en-year-old Marie Kellgren has been fishing full-time fo/r m\or/e than four years, alt【hough she acknowl/edges that there are no】】t man\y like her."We&/rsquo;re \not m\any - young peop\le \fishing】. \I think 】it’s because it’s 【【physically hard wo【rk, and you don&rs【quo;t know for ho】w many years you c/an do \it. It's a bi【g risk to/ start."She in】itiall/y we【nt to stud】y t\ourism \in Helsink【i but then took up the op】por【tuni】ty of【 a local &ldq【uo;Master-【\【Apprentice" pr/og\ram to l【earn /t】he trade f\rom her /fat】her.\The】 EU-supported scheme provided a s\mall g】rant that allowed Marie to work for a year as an a/pprent】ice 】fisherwoman — without 】putting her fathe】r's business under any further fin】anci/a/l st【ra【in.My\ father 】is a fisherman, 【m\y father’s fat】her was 【a f【ish/erman, an【d my】 fathe】r's f【ather's father was\ a fisherman. /】 】 \ V】iking Kel\lgr/en 】 【 】 Her father, Viking, told Euronews: &ldq/uo;/】My fa\th【er is a fishe】rman, my 【father’s father w】as/\ a fi\sherman】, a\nd my father's f】at/h】er's \father was a\ fisherman. So M】arie/【 is the f【ifth gener】ation fishing here/."Th\e t\raining p/rogram included some th/eory an【d/ 】800 h】o】ur\s of fishing pra\ctice\."I lear】ned how to fish with nets and with trap\s, t/【o take care \of t】he fish, the catch, and to/ prepar\e, to 【salt a】nd to smoke and cold【-s】moke a\nd /make fishcake【s, and marke\tin【g, and all \o\ther st【uff about pay\ing 【b】\ills."The funding 【for the "Master-Ap【】p\rentice" pr\ogram wa【s pr\ovided main/ly by the Euro】pean Mar【itim【/e and Fishe】ri】es Fund, which supports generational rene/wal/】 in Europe's】 f/ishing sector. The idea came from \the local fishing comm\unity i\n Pellinki, when another aspir\ing fisherwoman, Tanja Åkerfelt, was struggling to enter the profess/ion."My fat/her didn&r【squo;t think th【at \was a 【go//od ide】a,” Tanja said. &ldq【uo;That&\rsquo;s when I had to 】talk to】 other fisher【m【en, won\de【r】in/g, how coul/d【 we do【 this.”O】ne /of the fishermen she【 sp/oke to was E】sko\ 】Taanila, who man】ages th/e pa/\rtnership /b【etw\een/ privat\e and public sto【ckhold】ers in】 the loc【al fisheries【【 se】ctor, kn【own as a FLAG &mdash】; Fis【heries Local Actio/n Group.Taanila came up with s/implified 】paperwork &mdash\; a formal【 contract and t/he 【tr\aining pr\og】ram\ for both the mas\t\er a/nd t【he\ appr\entice.Training a【 new 】fis【her costs around 6,000 e/ur/os. Esko says it's an ine【xpensive way to sustain【 professional fishing, which is the o】nly ye\ar-round econom】ic 【activity i/n the Pellinki are【a.T\h【e progr/am is helping to slo【\w the decli\ne of south\ern F/inland's fishing community — but/ it cannot reverse it.T【aanil\a 【said: &ldqu】o;Ever】y time 10 fis\hermen q【\uit, we get one or mos】tly two young peopl/e w\ho 】/are inte【re【sted in continuing."The progr【am has been running f【\or three years. Out of 15 app\rentices, 12 d【/ecided to \keep fishing professionally.That's a hi【gh succ【ess rat\e, but with the g/r】owing seal p】roblem and the fu】ture【 of fis/h s/to\cks uncer/tain,】 these/】 ef/for\ts might not be enough."We 】hav\e to get \new fisherme\n because/ the avera/ge age here is 60 years o/ld,&rdquo\; said Ta/an】il\a. &【ldquo;So if\ \we do nothing, 】it】 wi【ll】 //take only【 five or six years and everybody wil【l have quit. It is ve\ry important that\ we have a【 living fishery in【 ou/r coastal areas.】 Without tha/t,/ it c【ou\ld be a dead ar】ea. And that&\/rsquo;s not n【ic/e."Much furthe【r south, off the coast of the Belgian port of Ostend, the fishing 【tradition is thriving and u\【ndergoi/\ng/ a renewal.With its limite【】d coas\tline【 an/d only six d\oze【n\ fishing vessels, Belgium is\n't a big fi【\shing】 country /—】 but in coastal 【West Flanders/ province, f【ishing tradi】t/ionally played an importan【t role.A lo/cal maritime \scho\ol &ndash【; the Maritie【m\ Instituut Mercator – runs\】 a ded/icated training ship, \wh【ich was renovated with EU he\lp.Built\ in 1967/, the "Br【o\odwinner", /a beam tra/wler, was refi/tted to provide bett】er safety and a gr/eater level of comfort than on t\raditional】 ve\】ssels.Bart DeWae/gen\ar/e, \a teacher at/ t【he Maritiem】 Insti/tuut Mercat\or, said s】tudents get\ esse\ntia/l hands-【【on training. Most of th/em d\on't have the se【a in their blood."I 【think maybe 20 per】 ce\nt are from】 familie/s that did it bef】ore, and 80【 per cent don’t【 even know anything about it. The】\y come/ from big /cities lik【e Antwe/rp and 【B\russels, no\th】】i【ng to do\ with t【he s\ea.&rdq】uo;Stud【ent/s go on eight-hour f/ishing trip】s sta【rting \fro【m the age of 12. By\ 16, 】t】hey spend】 hal】f 】o】f th/eir school ti】m】e at sea.Along with var/ious f/ishing-related skills, they learn navigati/on and marine engineerin【g.Most are /seeking a job in the maritime\ sector,】 but not necessarily in the fis/hing industry, 】where the work is har/d and the/ risk of accidents high./Sami \Tebbouche\, a student, said: "Y】ou 】have to learn to sail the vessel on your own】. You have to wa【ke up at night to repair \t\he net/s. It's tough!"Another student, Seppe DeKinde】r, said the unpredictable n】ature of th】e job】 puts many young 【people off. Fishermen's salaries can be ver/【y high - or low, depe】nding on the catch."It&r【squo;s unp\redictable ho【w much】 you ca【/n earn\ sometimes. That&/rsqu\o;s why a lot 【of p】eople are uncerta【in i\f\ they rea/lly/ want to do it/】. And /also becau【se it’s really h】ard wo】rk. And a【 lot 【of p【eople \have k】i/d\s a/nd stuff, and they don&rsq/】uo;t want to【 leave them behind."\In the 1980s, five vo/cati\o\nal】 sch【ools【 】tr\ained 3【00 pupils a /year to wo】rk in fisheries. Today, only o\ne【 【sch】ool wit【h 40 students 【remains.Teache/rs say /that in the modern era, even high salar】ies and improved【 【/working conditions are n】ot enough to /ma【ke fishing attractive for【 yo【ung peopl】e.The scho【\o/l’s headmaster Jac【ki/e Scherrens said: "I\n th】e /p【ast, when they/ 】were, for example, two weeks at se】a, three days in the 】harbour, but from the th【ree da【/ys yo】u had 】to work】 two \days, and that was no problem. Now, when they a/【re, let&rsquo\;s say, /e/ight day】/s a】t sea, 【four days in /h】arbour, and/ you ha】ve to work one【 or two \days/ &m/d】【ash; they don\&\】rsquo;t wan【t that anymore! S/o it&rsquo\;s【 very difficult【 to attract you\n【g people for it."There /\are hopes th【at/\ si】x new vessels about to】 enter the Be/lgian fis】hing【 fleet will revive interest i\n the profession.1212121【】2121212121Shar\e this a【rticleCopy/pas\te the a/rticle video embed link below:CopyShareTw/eetS】【】】har】esendShareTweetShar】esendMoreHide【ShareSendShareShareShareSendSha】reSha\reYou/ might also l/ike 】 【 /\ The importance of re【sto】ring ma/rine【 b/iodiv】ersi】ty \ 【 M\o/re a【boutFishery/YouthOceanEnvironmental【 protection/ 】Most viewed /\ 【 \ / 【 What i【nfluence on climate is 】the coronavirus lockd\own rea\lly having? 】\/ 】 The new AI system safeguar\ding premature babies from infecti【on \ \ 】 / 】 Mes【sen\ger RNA: the molec\】ule that may teach our bodies to beat cancer 【 【 / 【 【 Apple and Google say t/hey'/;l\l work together /to t】ra/ce spread of //【c\or\onavirus via s】martphones How EU fundin\g is/ cha/nging \the face of Latvian innovation 】 【 【Brows】e today's【 tagsZHFK

f4rcMEPs backed p\la\ns on Wednesday\ aimed【 a】t improving /【the qua\lity \of drink】ing water and reduce pla】stic waste.T/he initiativ【e incl】udes】 p/roposals t\o sl【/ash the maximum limit\s of certain poll\utants and inc/rease access\ to\ free and safe wa】ter in public spaces across the EU.One \of the p\【rimary 【goals/ is to【 increase publ】ic trust in tap water with the intenti【on of dim\ini【shing the use 】】of /plasti\c w\ater bottles. Singl【e-use plas【tics/ are currentl【y t】he m/o/st common form of marine litter found on Europe\an【 beaches, according to \a r【ecent repo/rt.The European 【Parliament estimat\es these new po/licie\s woul/d s【ave【 Eu\ropea/n households over \€60【0m per year.Share this articleCopy/paste the ar/ticl/e video embed link【 b】elow:Copy】ShareTweetSharesen】dShareTwe/etSharesend\MoreHideShare\Se【ndSh/are【Sh/areShareSendShareShare】You m\igh/t also【 like/ \ 】 Micro-plastic\s 】a/re not just a problem for the oceans, the】y're now in \the air /】 【 \ 】 / 【 \ 【/ The wee【k in Europe: Rescu】e plans, MEPs on the】 fr】ontline/【【s & robo-helpers【 \ / \ Meet the 【MEPs returning to【 medicine amid/\ th/e c】oronavirus pandemic \ 【 / 】 More ab//ou【tEU Parliam/】entWat】erEnvironmental protec【ti】on \ 【 Browse today【's tags6xIY

dDRSCan corals i/n Jordan sa\ve ot【her reefs from g【lobal warming?n3yh

tP3EDo e【nvironmental documentaries actually have an impac【t on p【eople’s bad】 ha/bits?HNKa

1.ypDyCOVID-19【: World ec\o\no/my in 2020 \to suffer \worst year since 1930s G/【reat \Dep】res】s【ion, says IMF【Xsic

2.N0ftDeep sea explorer Jean-Michel Cousteau 【teaches UAE childr\en abou\/t \ocean c/o】nse\rva/tionNNrQ

3.0jJDCOVID-19【: World ec\o\no/my in 2020 \to suffer \worst year since 1930s G/【reat \Dep】res】s【ion, says IMF【DiLX

4.XoCEText si】zeAaAaThere’s no \doubt about it: /art, in its many forms, is so \much mor/e than a \kind /of s】elf-【express】ion. It 】can often be【 a force for good and much-ne/eded \chan【ge. From photography t】o lively discussion and jaw-dropping footage,/ t\hese are【 the exhibitions and documentar/ies on 【climate change around the \world/ to have on your r\a/d【ar f【or May】 2019.A】r\t + Climate/ = Change FestivalWhere】: Various, Melbourne, Australia\When: Until 19 May 2019This exciting initi\ative is a month-long festi】val 】l/ooking at the way】s 】in w】hich a】rt can make\ a diffe/rence in the】 discussion around sustainabi/li】ty and climate change. This i】s/ a s【eries of curated \exhibitions, artist t【alks and lectures w【ith some o【f【 the most p\romi】nent environment and climate ch】a\nge 】scientists, psycho\lo\gists and res【earchers】 /t\hat aims to open \】【up di/s\cussi】on】 on the wa】ys in\ whi\ch art ca】n work a/【\s an a】cti】vism【 to\o【l. This will be running in Victoria,\ Australia, but /man】y of the talks will be\ filmed, mea【ning you don’t】 have to be in the country to get involve/d wi/th this excit/ing moveme\nt.More infoClimate Change: The\ F\/acts with David AttenboroughNet】work: BBC iPla【yerWhen: Ava【ila\ble /from Ap】【ril 2019If you’ve yet to w/atch \t\his grou】ndbr【eaking BB【C /docu\ment【ar】y, now&rsquo\;s the ti\me. Presented b】y\ t】he world&rsq\uo;s】 most/】【 】resp】ected wi\ldlife doc】ume\ntary m【aker, Dav】id Attenborough cuts through the fake news】 and confu/si】ng statist\ics\ to/ bring 【us the tru】th about what is \act\ually happening to】 \our environment/\. In th】is 】hour-long progr\/amme, issues s】uch as/ sp/ecies extinction【s, deforestation and extreme wea\ther a【re all tackled. Though it i【s som【ewh\at 】harrowing - and worryin】g - to w/atch, there is an /o/verall message of h/op】e:】 that we ha【ve the pow\er/ \to t【urn the tid\【e o/【f 】cli】mate chan/ge /once】 an【d for all.More infoAltered OceanWhere【: The Royal Phot/ographic【 Society, Bristol, U】KWhen: U/ntil\ 23 】June 2019According to statist【ic【s, approxim\ately 8 million\/】 pieces of 【plastic find 【】their way into \the ocean every day. Da/vi/d Attenboroug/h brought th/e i\ssue of p\lasti【c pollu\tion to the forefront b】ack in 2017 with h/is BBC documen】t\ary, Blue】 Plane【t II 【and it has now become one the major climate change /discussi】ons】 between cou\ntries and local communiti/es. 【I/】】n 【this 【pho【to series, Mandy Barke【r has doc【】】ume】nted\ her findings as】 a ph【otog】rapher travelling the world. Comb】ined wit【h resea【【r\ch n【o/tes, /sk/etchbooks and scient/ific s\amples, it combines both art andscience to p【resent a we\l/l-rou【nded exhibition that forces th\e viewer 】to confront t【he realities our oceans are fa\c\i/ng.More infoHuman/ Natu/re】W【here: Muse【um of World Cultu】re, Gothenburg, SwedenWhen: Until M\ay 2020Bringing toge\/ther 【a collection /o/f】 poignan】t photographs】, w/orks o【f 【art an】d other a】\rchived materials, the Museum of Worl/d Cul【ture has curated an exhib【\iti【on that explores the way h/uman lives ar【e di/\rectly affecting th】e planet. Looking \at/ everything from the【 things we \choose to repair and care fo\r versus those we sim/pl\/y consume, as well as sci\entific results in/ envi】ronme\ntal p【sy】chology, it&rsq】uo;s a /fascinat\ing s\tu【dy of th】e relationship between people and the \planet we call ho/me. T【hough it doe【s feed t【h\e visitor some uncomfortable truths,【 the overall m【/essage is one of //hope】, she\dding light on m/a【ny of the positive initiati/\ves tackling to redu/ce o\u\r impact and offering p/racti/cal tips that c【a【n be taken away and in\corpora【ted into 【daily life.Mor】e i【nfoCarmig【nac P\hoto】j//ou】rna】lism Award: Arctic/: New FrontierWh】ere: Sa/atch/i Gal】lery, Lond【on, UKWhen: Until 6 】M\a【y 2019Photographers Yuri Kozyrev an/d Kadir van Lohuize】n have won the S\aatchi 】Ga【ll/e\ry&rs】quo;s ninth Carmignac Photojournalism Award for the\ir project on the Arctic. Widel】y view】ed as 】one of the most enda\ng【ere】d 【ar】】eas in the world, the Arctic【 】is home to 】the Nenets - a nomadi【c】 group that make the yearly m/igration a\cross Nort【h【ern】 Russia. F【o/r \the first t【ime e】v\er, \their journey was i/nterrupted by melt/ing frost in 2018. K】ozyrev f】ollowed【【 their progress this year and bore witness 【to the impact【 t/hat global/ warming is h【avin\g on /their lifest/yle. Lohuizen,】 on the other h】【and, /visited various part\s of the【 w\orld,】 meeting with sc】ientists, envir\onmenta】lists and vulnerable com】munities /to find out ab】out the reality of/ 【what is happening to our m/elti】ng ic【e ca\p\s.\ Each photo in t\he e/xhibition shows the sta\rk reality facing t】his part o【f the world thank//】s to t\ourism, the depleti/on of gas an】d natural resources and heavy ocean p【oll/ution.More infoWords: Bianca /Barr\attShare this arti/cle 【 / More f】\rom lifecwF1

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zHImText sizeAaA\a&/ldquo;/It’s \unfa【ir t\o say they are jumping 】on t】he ba/n/dw/\agon, 】natur【e documentaries have always \been motivate\d by conse\rvation.” 【Sa【t in his office at University Col】le/ge L/ondon, lec】ture【r in/ sci/ence communication, Dr Jean-Baptiste Gouyon\/ expla】ins to /me \how nature documentaries/ have come \full circle by\ embracing th\【eir roots in envi/ronmentalism.【 In the early days of TV【, he reveals, f\ilms a\bout/ animals\ helped】 to estab【lish th\is brand new medium【 as 【/a source】 of trustworthy informa/tio/n. Docum】enting and catalo【】guing biodiversi】t\y, they told 【timeless stories of 】creatures no\/t s【o dissimilar to u/s.“Befo【\re \Attenborough was Atten/borough, it w/as common to see scientists 【at work,” Gouy/on says, but things began t\o change】/ as the \century wore on. With the i】nc】\reasing doom and gloom of environmen/tal cris/is loo【min【g ov\er the general 【population, film【makers rejec【ted 】stories abou【t wh\at was】 reall】y h\appenin】g to 【th/e pla【net. “\The【re 】was a documented reluctanc【e to eng【age with envi【ronmental is】sues, they d】idn&rsqu\o;/t】 wa\nt to push audiences 】away.”D】avid Attenbo【rough \makes a spee】ch /at /a cerem】on】y f/or \t/he\ naming of the RRS Sir 【D】avid Atte【nboro\ughAsadour Guzelian/ASSO【CIATED 【PRES【\/SAsadour GuzelianDuring the【 1990s, however, things began to change. “A s【hift in the cultural context has happe】ned and t】here is more acceptance \that 【we are in a bad sit\uation.” Having been bombarded with years of ongoing【 catastrophe, pe/o/ple had becom【e too w//】ell informed to keep tolerating a\【 w】a】te\red-down /version of【 the t【ruth. It has beco/me imposs】ible to ignore /he】/ says, “the state of【 the】 \plane/t i【s wh/at /it i【s.&【rdquo;Now 】we&rs】【qu\o】;re hooked. 14.1 million people watched\ the BBC&/rsquo;s【 27 series, Blue Planet II mak\ing it the】 most-watch【ed 】T\V prog】\ramme in Britain that 】year, /a\ccordin\g to the BBC. Natural history】 persona】/\li】ties lik\e David Attenborough have 】bec/ome big 【stars, successfully\ transf】/orming from amateur ecologists to/ folk hero【es for those p】lagued by eco-anxiety. We have beg\un to recognis【\e the p【ower of /t\he e】nvironme/nt/al film and\ its potential make us \think a lot harder a/bout t/ackling proble/ms lik【e plasti】c pollution.Waste from wors】h【i//p: solvin\g Indi\a's unique river pollution p】【roblemWATCH | Shrink【ing pelican b/reeding grounds restored after BP\ 【oil spillSerbia will plant 1 billion tre】e\s\ in【 o【rder to reach net zero t\ar\get by 205【】0The 】power of movi/ng pictu【res“There is no doubt that film as a mediu】m has massive power to elicit/ an emotional rea\ct/ion,】&rdq】uo; says\ Gouyon\, “but there isn’t 】really any】 hard evidence to/ prove this yet.&r】dquo【; More s/o than the\ writt】en w【ord, these documentaries 】seem to pique our interest/ in the\ p/lanet and poten】\ti/ally even d】rive/ 】us to take action. A sur/\vey of U】K superm/arket/ shoppers found th【at 88】 per】ce\//nt o【f people【 who watc】hed Blue Plan】et II\ had \changed their behaviour \as a resul【t.After watching th\e \series\, Da\río Fern&aa\cute;ndez-Bellona, a postdoctoral rese【archer at Univers】ity College 】Cork, noticed th【at th/e programme w】as consistent/ly \tr\ending on twitte/r the evening】 it aire】d. He started to wonder just how much these\ 】docum【entaries are able to affect our behavio\ur. Using 3000Text si】zeAaAaThere’s no \doubt about it: /art, in its many forms, is so \much mor/e than a \kind /of s】elf-【express】ion. It 】can often be【 a force for good and much-ne/eded \chan【ge. From photography t】o lively discussion and jaw-dropping footage,/ t\hese are【 the exhibitions and documentar/ies on 【climate change around the \world/ to have on your r\a/d【ar f【or May】 2019.A】r\t + Climate/ = Change FestivalWhere】: Various, Melbourne, Australia\When: Until 19 May 2019This exciting initi\ative is a month-long festi】val 】l/ooking at the way】s 】in w】hich a】rt can make\ a diffe/rence in the】 discussion around sustainabi/li】ty and climate change. This i】s/ a s【eries of curated \exhibitions, artist t【alks and lectures w【ith some o【f【 the most p\romi】nent environment and climate ch】a\nge 】scientists, psycho\lo\gists and res【earchers】 /t\hat aims to open \】【up di/s\cussi】on】 on the wa】ys in\ whi\ch art ca】n work a/【\s an a】cti】vism【 to\o【l. This will be running in Victoria,\ Australia, but /man】y of the talks will be\ filmed, mea【ning you don’t】 have to be in the country to get involve/d wi/th this excit/ing moveme\nt.More infoClimate Change: The\ F\/acts with David AttenboroughNet】work: BBC iPla【yerWhen: Ava【ila\ble /from Ap】【ril 2019If you’ve yet to w/atch \t\his grou】ndbr【eaking BB【C /docu\ment【ar】y, now&rsquo\;s the ti\me. Presented b】y\ t】he world&rsq\uo;s】 most/】【 】resp】ected wi\ldlife doc】ume\ntary m【aker, Dav】id Attenborough cuts through the fake news】 and confu/si】ng statist\ics\ to/ bring 【us the tru】th about what is \act\ually happening to】 \our environment/\. In th】is 】hour-long progr\/amme, issues s】uch as/ sp/ecies extinction【s, deforestation and extreme wea\ther a【re all tackled. Though it i【s som【ewh\at 】harrowing - and worryin】g - to w/atch, there is an /o/verall message of h/op】e:】 that we ha【ve the pow\er/ \to t【urn the tid\【e o/【f 】cli】mate chan/ge /once】 an【d for all.More infoAltered OceanWhere【: The Royal Phot/ographic【 Society, Bristol, U】KWhen: U/ntil\ 23 】June 2019According to statist【ic【s, approxim\ately 8 million\/】 pieces of 【plastic find 【】their way into \the ocean every day. Da/vi/d Attenboroug/h brought th/e i\ssue of p\lasti【c pollu\tion to the forefront b】ack in 2017 with h/is BBC documen】t\ary, Blue】 Plane【t II 【and it has now become one the major climate change /discussi】ons】 between cou\ntries and local communiti/es. 【I/】】n 【this 【pho【to series, Mandy Barke【r has doc【】】ume】nted\ her findings as】 a ph【otog】rapher travelling the world. Comb】ined wit【h resea【【r\ch n【o/tes, /sk/etchbooks and scient/ific s\amples, it combines both art andscience to p【resent a we\l/l-rou【nded exhibition that forces th\e viewer 】to confront t【he realities our oceans are fa\c\i/ng.More infoHuman/ Natu/re】W【here: Muse【um of World Cultu】re, Gothenburg, SwedenWhen: Until M\ay 2020Bringing toge\/ther 【a collection /o/f】 poignan】t photographs】, w/orks o【f 【art an】d other a】\rchived materials, the Museum of Worl/d Cul【ture has curated an exhib【\iti【on that explores the way h/uman lives ar【e di/\rectly affecting th】e planet. Looking \at/ everything from the【 things we \choose to repair and care fo\r versus those we sim/pl\/y consume, as well as sci\entific results in/ envi】ronme\ntal p【sy】chology, it&rsq】uo;s a /fascinat\ing s\tu【dy of th】e relationship between people and the \planet we call ho/me. T【hough it doe【s feed t【h\e visitor some uncomfortable truths,【 the overall m【/essage is one of //hope】, she\dding light on m/a【ny of the positive initiati/\ves tackling to redu/ce o\u\r impact and offering p/racti/cal tips that c【a【n be taken away and in\corpora【ted into 【daily life.Mor】e i【nfoCarmig【nac P\hoto】j//ou】rna】lism Award: Arctic/: New FrontierWh】ere: Sa/atch/i Gal】lery, Lond【on, UKWhen: Until 6 】M\a【y 2019Photographers Yuri Kozyrev an/d Kadir van Lohuize】n have won the S\aatchi 】Ga【ll/e\ry&rs】quo;s ninth Carmignac Photojournalism Award for the\ir project on the Arctic. Widel】y view】ed as 】one of the most enda\ng【ere】d 【ar】】eas in the world, the Arctic【 】is home to 】the Nenets - a nomadi【c】 group that make the yearly m/igration a\cross Nort【h【ern】 Russia. F【o/r \the first t【ime e】v\er, \their journey was i/nterrupted by melt/ing frost in 2018. K】ozyrev f】ollowed【【 their progress this year and bore witness 【to the impact【 t/hat global/ warming is h【avin\g on /their lifest/yle. Lohuizen,】 on the other h】【and, /visited various part\s of the【 w\orld,】 meeting with sc】ientists, envir\onmenta】lists and vulnerable com】munities /to find out ab】out the reality of/ 【what is happening to our m/elti】ng ic【e ca\p\s.\ Each photo in t\he e/xhibition shows the sta\rk reality facing t】his part o【f the world thank//】s to t\ourism, the depleti/on of gas an】d natural resources and heavy ocean p【oll/ution.More infoWords: Bianca /Barr\attShare this arti/cle 【 / More f】\rom life twee\ts and figu】res for v//isit/s to the Wiki/pedia 】pages 】of the animals f/eatured in【 the series, he a/nalysed this data to see what, i/f any\, /patter\ns of behav】iour were influenced by watching the show.His rese\】arc【h fo\und /that 【just 6 percent 【of th\e actual programme 【wa【s about envir【onmental issues a】nd/ a m/【er\e 1 【percent of tweets me/ntioned these t\o】pics.【 T\hese figur【e/s/ didn&rs/quo;t/ look promisi\n】g. Docu】mentar】i】es clearly a\ren/&rs】quo】;t/ usel/ess for conservation, howe/ver, as they \al\ter ou【r perception of wi\ldl【if】e in other 【ways. The Wikipedia pages for each of the【\ animals that appe\ared 】\in episodes of Blue Plane/t【 2 had an annual spike】 【/in visits imm【ediat【ely f】】ollowing the【 broadcast of/ the s【how. Ev\e/n this s/mall connection with nature could be enough to create 【an awa/ren/ess crucial to avoiding /【an exti/nction.One of the mos\t successful elem\en/ts of the moder\n nature】 docume/ntary is t\he &ld//quo;ma【king-of&r【dquo; segment. Usually a short section】】 s【eparate【 from the main show t】h\at reveals how/【 s【ome】 of the scenes we】】re shot, the “making-】of&】rdq【uo;\ le【ts us s【ee behind】 the \scenes【.【】 It a\lso helps to break dow/n the】【 i\nvisib【le wall bet/ween the viewer and t】h/e animal】s. “Films show /nat\ure with】out \humans,/ not \as somethi】ng t/o en】gag】e with,【&】rdquo; explains Dr Gouy】on, “【the cameraman can be a role model for ordinary people \and express more emot【ional responses.” It h/elps the audien/ce】, /usu】ally tuc】/ked a/way in their living room in increasing\ly u\rban\ised societies, to engage w\ith a world they hav/e bec】ome】 distant from.D/ocumenting the fut】u/】reEngagem【ent is un【do\u【\btedly the best /way to get us to\ care\ more ab/out the state of the planet. I【f we】/ want】 t\o mak【e film\s mor\e effective in the future, Gouyo】n 【【【s【ugges】ts, we nee/【d to encourage that en\gagement by giving the came【ras to local populations to document their own experience/s. &ld/q】uo;We can’t go by the impe】rialist model of Brito/n’s going\ and watching 】wil\dlife.”Portrayals of enviro】nmental i【ssu【/es can have【 different\ effect\s in diff\erent countr【ies.\UnsplashWe /respond 】far b/etter, \it seems, to films about environm【【ental issues that resonate /with our own \life \experie\n】ce\. \A good exa】/mple of this/ is】 the international re/sponse to the d【ocumentary T/he Co\ve.】 The 2009 Oscar Award/-win/ning piece about do\lphin hunting/ 】in Taiji, Japan cause【d indign/【ant outrag\e amon】g west】ern audien】ces. Its thriller-style tr/e【atment of ‘uncove/ring&【rsquo; the practice using spy-cams didn&/rsquo;t/, however, go down we】ll \with/ audiences in t/he \co/\untr【y【 wh】ere\ it was shot an【d many show【ings/ were met with protests.This k【ind of document/ary c/l/early raises a】wareness but\, with\i\n the communities a】ble to acti\vel/y change pr【actices har\mful to the en/vir\onment it rarely has the same impa】ct. Despite /already 】】having risen to astronomical levels o\f popularit】y, there【 is still a lot of scope for t】h\ese programm】es to do more 【fo/】r conservation. Choos【ing to cha】mpion l\oca/l voices co/uld spell the end for popular ec【o-h/eroes like David Attenborough, but it m【ight【 just 【be the kind of convincing many peop\l/e n【eed to take action on cl/i【ma【te change.Share th/\is article M\ore /from l】ife4adU

8x环保新能源7B

JmcwText si】zeAaAa\The top supermarket chain in Malaysia 】is\ prohi/biting the sale of anti-\palm 】produc】/ts, in an attempt to preserve its c\ontroversial key commo/dity.Mala/y】sia’s largest sup\ermarket, M【ydin, has today announ\ce】d a ban o【n 】any item that 【is labelled【 ‘p【alm】-oil-free&rsqu/o; a\s i/t believes this dam/ages the reputation /of palm oil produ/ction.\】 【The s\outh-e\ast Asian country is the secon【d largest】 pr\oducer of the oil】, after In】donesia. Th【e two 【neighbouri】ng nations produce a【【rou】nd 85% /of 【the world&rs】quo【【;s palm to【【【g】e/t/her, contrib【uting to a billion industry aroun】d the g\l/ob【e.\The supermarket's decision\ follows a 】lobbying offensive launched by】 the Malaysian government in 2018 to defen\d the p【alm oil】 \industry from becoming \obs/olete. \Af\ter【 a】 Washingt\on c\onsultancy present】ed a \paper likenin【g palm o】i\l to \tobacco, Ma【laysia stepped up its protectionist measures to en【sure the oil/ /【/does\ not become a “【pariah】 product”.Land that has been \clearedat an oil\ pal/m plantati】on in Johor, Mal】aysiaReu【tersDeclining to 】specify the amount o【f anti-pa\lm pr【oduct【s【 sold at his【 chain, Ameer Ali My【din, m【an】agi【ng\ direct】or of Mydin Mohame】d Holdings】 Bhd told reporters【 “we \must suppo】rt palm oil【/”. &ldquo/;By labelling something that there is no palm oil, you&r\sq/uo;re actually 】telling p/eople t\hat palm oil is bad for you”, h\e said, emphasising /the\ /impo\rtance of the ind【ust/ry to 【the\ Malaysian econo【my.Rela【ted |/ Estée Lau【der launches su\stain\able scheme to t】ackle 】palm oil productionTeresa Kok, Malaysia/&rsqu【o【;s minister o】f 【pr/i/m】ar【y indus/trie】s, agreed with the s\upermarket’s decision【 and encouraged othe/\r cha【ins 】in 【Malaysia to do the same/.Mydin's I\】nstagram account shared\ thi【】s video toda】y, promotin\g 'Kar】nival Saya\ngi Sawi】tku'\, tr】anslated【 as 'My Dear Palm Carnival' la【unched 】by\ minist】\er 【Tere\sa Kok hersel/f. Vie】w【 this post on In/stagramMenteri 【Ind】ustri U\tama, YB Puan Teresa \Kok mela\nca】rk】an K/【arnival 】Sayangi \Saw\itku di Pasar Raya MYDIN\ USJ\, Suban【g Jaya. Karnival Sayangi Sawitku adalah anjuran Ma/jlis Minyak Sawit Malaysia (MPOC), denga】n】 kerjasama MYDIN.. Karnival be【rmula da【r\i 5【 /】Sept hin\gga 【8// /Sep\t 2019. Jom】 ramai 】ram\ai memeriahkan/ lagi karnival ini‼️ . #mydinmalays\ia #mpoc】 #sayangi【【sawi】tkuA post shared by MYDI/N Malaysia \(@/mydi//nmalaysia) on Se】p 5】, /2019 at 2:/53a/m PDTIn response t【o the】 】n】ew/s, the Environme\ntal Jus\tice Founda/tion (EJF) spo\ke to Euronews Li】ving. "Banning \pa/lm-oil \free pr\】oducts is】 a re/t\r/ogra【de 】and p/oorly thought-out move that 【will co\st Mydin", said S/teve Trent, EJF's【 Executive\ Director. He went/ 】on to】 【say/ that /palm oil production causes "unwa】rran【ted】 and untena】ble destru【c【tion 【】of t】he rainforest" end【angering s】pe\cies. In Trent's own words, the expansion 【of pal【m oil estates "must /end now."Offering some adv\ice to the Ma/laysian chain of supermarkets, Trent conclude/d\:"Rat\her than refusing to sell palm-oil-f【ree products, Mydin should put a】l【l t】heir \effo【rt in to e/nsuring that any pa/lm oil they do\ s\ell i【s &】nd【ash; verifiably \– sustainable, legal】 and ethical. It must not lead to【 any more def\or【estatio\n. 】We need to see /t\ransparency and\ independent inspect/ions across the se\ctor\, from seed 【t【o supermar】\ket shelf."In\te\rnational/ appro】ach 】】to pal】m oil produ\ct【ionPalm oil is a vast industr/y, prese【nt in half 】】of a【【l\l s\u\permark】et products fro】m cosmetics and make up to froz\e/n pizzas, biscuits and margarine. It is the target of swathes of envi\ronmental act\ivi【sm due to deforestation, wh\ich destroy【s 【the natu【ral habit【at of 【man【y species like orangutans.Steps have been taken on an intern/ational level to boy/cott t】he industry. Earlier this y】ear】, the Eur/opean Union passe/d /a law to phase out pal【【m oil from renewable fue/l by 2030 and over 【250 organisati/ons con/d\emned the【 ‘g\re/enwas/hing’ of palm】 oil /as sustainable】,】 according to Rainforest Re\scue.In August,【 Mal】aysian\ Pr【ime Minis】ter Mahathir Moh/amad fou】g/ht back, claiming that the accusation pal\m oil was 】linked to defor\estation】 w】a【s\ “baseless, un】fair a【n/【】d unjustified.” H\e claims th\at【 the【 /industry is act】in\g “responsibly【&rdquo\; and shou【ld not be attac【ked【,// as it 】is contributing grea】tly to the so【cio-economic wel】l-b】e/ing of the Malaysian /people.S】/h】are this a】rticle \ / More from life5TVg

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nUygText s\izeAaAaAlt】hough he wa\s only born in 1984, Hung/arian G\&a//acut\e;bor M【iklós Szőke is\ al【ready a promi/】nent artist of the contempor【ary \sc【ulpture scene in Budapest/\. His main a【rtwor\k/s are public an/imal】 /sculp\tures, \noticeable for】 their “lath-style” and enor/mous si/ze. He prefers to\ work with stainless steel an/d hardwood 】ra】th/er /than traditional marble and bro【nze to give/ his art a more "mo】dern aesthetic"\.The A】tlanta Falcons recently c/ommis】sioned/ the arti\st t/o erect a giant falcon 【statu【/e in time for【 the open/ing】 of【 their n【ew Mer【cedes-Benz Stadi/\u【/m. /With a wingspan of\ /21 meters\ and a heig/ht/ of 13/ meters\, 【the mas】sive stai\nless steel sculpture \【is now the largest bird re/presen/tation in the worl【d. “Calo\/ssus” in Samo【rin \is the larges\t equine st】atue】 in \Europ【e. Other sculptures\ 】by G【ábor can be found arou/nd the world fro】\/m 】Gstaad\ to \Bahrain, 】Washi】ng\ton\ D.C. \to Niz【h/ny Novgorod. View/ this post on In】stagramMa 4 é【ve avat【tuk sz&ia/cute;vemhez egyik legközelebb álló szobromat, a 】Frad\i sa\st, Európa le【gnagyo【bb á】l】l/and&\oacute; k&o/】uml;ztéri mad&aa】cu\te;rszobr&aa】\/cute;t, am/elyet a vilá】\gon sz/in【te mindenhol】 ismernek. A】z a szeretet és b&uum/l;szkeség, amit szobromo\n \keresztül a\z&oacu【te;ta is k/apok nap, mint n\ap, felbecsülhetetle\n, 】e】zúttal kösz&】ouml;】nöm! Hajrá F【radi! ?【???【 #ftc #eag】le #hajrafra/di #gaborms【zoke 】#bud】apest #hung/aryA post shar【ed by Gabor Miklos Szoke, Art\ist (@gab/ormszoke) o\n Aug 9, 2018 at 4:25am PDTIt’s 】【not a surprise /H\ungar\/ian 【media call\】 him “H/un/gary/&rs/quo;s \coolest export” a\nd that he made it into Hungarian Fo\rbes】 Magazin】e&rs】quo;s “【T/op 10 under\/ 30&rdq\uo/; in 2015, or t/hat he has received】 numerous national and international aw【ard【s. Despit】e all the 【success at suc\h a young age, G【&aacu【te;bor never 】/forg\et【s that his sculptu/res are not just about inst【antl/y recogniz\abl】】e 】shape】s and shee\r magnitud/e. View 【this post on InstagramRise Up! /T\his mott【o【 can\ best /desc/ri/be】\ m【y sculpture\, the A/tlanta Falcon! S/he is proud, f】ree \and authoritative at the\】 same time.】 \I c】a】n't wai/t/ t【o see her again! 】???? @mercedesbenzstadium #amb】se #mbs\art #merc【edesbenzstadium #atla【ntaga/ #sbliii #【atlan】t/afalcon #touchd/own #momen【t\ #riseup #publicsculpt】ure #】arr【 #desi\gn #co【ntempor/arya/rt #gabormszok】e #\【atlantafal】con/ #at】lantafal\cons #superbowl #【superbowl【53 #sbliii #a【tlantaA post shar/ed by Gabor Miklos Szoke, Art\i】st (@gaborm【szok/e\) o】n Jan 28,】 2019 \at 8\:03am PST【We sat d/ow\n with him and Berta Hauer, his\ man\ag【er and partner, /in】 their i【mpr【essive stu/dio locate】d \in/sid\e an 【】abandoned/ /f【actory in the/ south o/f Budapest, wh\ich won the d\esign of【fice of th】e year award in Hun】gary /i\n 2016,【 t【o \ask what's the message be】hind/ his ar\t. View th【is post 】on InstagramDante Imperium Part】y in the G【abor\【 M. Szok【【e Studio ????/???】???? #】dant【eimperiu\mbrut #prenyeparty #welcometom【yworld #industria】】lparty #【gabormszoke #studiolife #sex【 #danteem】pire w】\ith @b\ertaha/uer ❤ʊ【39; 】phot/o by @gregusmateA pos/t 】/shared by 】Gabor Miklos Szoke, Arti\st (@gaborm】/szoke/) on Jan 5, 2018 】at 2\:05pm PST/When did your interest 【\/in art and sculp/ture begin?"I’ve been 【i【nvolved in crafts\ since child【hood. I a【lways drew /a l】ot and made little sculp/tu/res】. Twelve /years ag【o, I w\as a/t an art 【retr】eat wi】th\ my】\ univer】sity class\ma\tes and it \was there that I fi\rst/】 gathered w\ood planks/ and stic【ks\, a/nd rea\/liz\ed/ that it could 【actually be a pretty cool\ mean of artistic expression. It&rsq/uo;s almos】t like drawing thin【gs in spac/e【 whilst【 enablin】g you to 【mak【e massive art pieces. I quickly realized/ that this would b/e something big beca】u/se on the way back fro/m the art retreat I put the makeshift sc\ulp\ture\ 】【on top o】\f m【y car and【 /ever/yone was taking photos as I was driving【 away. So I decided to 】pursue t\his \style to make a bigger impression with my sculptu/res. It’s also a way of keeping things fr】o【m th/e past/ an\d /givin\g the【】\m a new exist\ence."What are the sustain\able methods /】a】nd p【ractices yo】u empl【oy\ in 【your a】rt?"My w\hole ar【tistic motto is /giv】ing old things new meanings, kind of 】lik】/e w【ith my stu\dio. Back in its glory days, the Manfr&e\acut】e;d Weiss Steel \and Metal Works he】re in Cse【pel【 was t【he second biggest in Europe. I’m r/eally inspired by old thin\gs because d【espit/e their age/, they tend 【to be】 mu\ch s【turdier【 than】 new ones.""Whe/neve\r I ca】n, I\ create my art from reused materials, tar\ a【nd found objects. Ten years ago around Chri\s【tmas time 】I】 was lef\t with a \lot 】of wood 】that I wou\ldn’t/ n\eed【 in the coming ye】ar. S】】o, in/stead\ of throwing it 【al/l out, I made l/ittle Christmas tree sculpt【ures and sold【 them. Since then, it /has become a/ 】traditi】on and I always do this around Christmas 】ti\】me】. 【On】 the o【n/e h/and, /nothing gets thrown away \and on the other it saves thousands of 【pine t\rees bec/ause 【people\ who【 buy my “trees” won’t be buy/ing real one】s for ma】ny years to come." View 【/this p\ost on InstagramChristmas gift 【alert/: My new X【mas】/ trees are out, save a tree and buy some/ a【rt☝️more/ i\nfo】r\mation/ 【on the /web】site, \click \on BIO;\)/??A post s/hared by Gabor Miklos Szoke, Arti/st (【@gabormszoke)\ on Nov 16, 201】8 at 【7:25am P】ST"Enviro\nmental a】wareness in ge/neral is 【something\ that/【 is very 】important for Berta an】d m【【/yself. B】ack in 20/10, righ【t /a\fter fi\nishing my s【tudie/s, I represented Hungary at a/n/ 】international art\ comp】etition o\rganized by th\e【 Collegiu】m Hungaricum Vienna. The th\eme was the Dan】ube Ri/ver. Unfortunately, &ld】quo;civilization” ha\s dec/imated the once v/ibra\nt river an\d turne\d it i】nto an oily, contaminate【d smu/dg/e. In \the Danube River, the sturg】eon is on the brink of extinction. Th】ese f/i【sh are e【xtremely sensit/ive to】 environmental p【re】ssures, making the\m/ valuable indicators for healt【hy【 rivers. To\ emphasize how dire the situation \is, I ga【\thered pla\stics and debris f【rom the Dan【ube to create "The Last Stu/rgeon" piece. These m/at【eria【ls, the manner of\ formulation, the fish&r【】s【quo;s f【ractured ski/n – all this re/fers to】 its unnatural 】way of perishing an/d \calls 【on the viewer to take greater responsib/ilit【y/ for our h】【itherto ne\gligent attitudes towards the species t【hat sh【are t【his planet 】with us【.""T\he Last /St】urgeon" sculpture in【 ViennaSoc\ial \responsibility\ in general is of great importance to 【you. What ar】e some of the\ most press\ing cause/s fo】r you c】urrently? How do you address them in your a】rt and what else are you【 doing 【to fight for th\】em?"In 2014, 】I wa/s// as/ked to create a symbol for t】he Tollwood F】esti\val in Munich/. This festival is k】n】own fo】r its stance \on envi\ronmental and /ani/mal 】welfare issues. T\hat year the f【\ocus was】 on the \ter】rible conditions endured by fa/rm animals 】so I create】d the “【Sad P【ig”, a gi/ant p【i【g statue t】hat i】s】 far too】 big for the nar/row ste\el cage it is forced to live in. A】【t that ti/me, Munich【 had/ the/ hi【】ghest pork consump\tion in\ all of/【 Europe/ so I \wa\nte】d to r\aise awareness about the animals’ t/ragic fates.""Sa】d Pig"/ at\ Tollwo】od Festival/"Sa【d Pig\" at Tollwood Festival"Also, I try【 to 【do/ what I ca/n for disadva】nta】ged a\】n\d minority communities /here\ in Hungary.\ In【\ 2012 I】/ took part in【 the c】haritable Hello Wood】 art camp/. I d\ec\id/ed to create a tot\em animal in the /form of a “Guardian Tiger” for one of th/e】 poorest v/illages in/ th【【e country, where m】ost members belong to the Roma /mino\rity. The villa//ge endured many hardships and muc】h violence in the pa】st】 】but with the【/ arrival o【f this/ 【“guardian】”】 came media attention and with】 \t【hat, 】g\overnment funds to raise the\ standard of 【/living in this villa/【ge. Th【e villagers love this tiger, t\ake great care/】 【of it, and 】or】ganiz】e an an【nua/l "Tig\er Festi】val". Seeing all this positive \im\pac\】t was one of 【the/ most touchin【g m/oments for me. By do【ing good, good】 cam/e \back to me a】s well because it was this project /t】hat g/ot【 【me global media \attention.""The Guard】ian Tiger【" sculpture"Af】ter the “Guardian Tiger&r【dquo;, the authorities】 of similarly disadvan】taged/ 】lo】c【ales\ started to g/】et in touch with me to brighten up/ the lives of thei\r citizens 【through art【. In 20【13】,【 I installed a guardi/an unicorn in the f【orest near t】he Russian town】 of Vyksa\,/ known for being the largest manufacturer of steel welde\d pipes and railway wheels 【in Russia. The magical creatu】r【e rem/in\ds pe【opl【e that you can be an individual even in a glum, i\ndustrial town. A \si】milar colourful unicorn was create\d the same year in Kazi【ncbarcika, an i\ndu】strial tow\n in Hungary full of apartments' blocks. Lo/cals really【 l\o\ve this 【】unicorn and pla【nt pretty fl【owers on】 the roun\【dabout on which it&rs】quo;s l/ocate\d. I eve【n think that\ one year it won the country&rsq】uo/;s 'Prettiest Roundab\out' award!/""Rainbow Unico【r\n""\I find i/t ve\ry im\portant to improve the visual 】culture of kids so】 that the coming generations kno】\w/ how 】to app】reciate and preserve beauty】. Th【e Hungar】ian town of Érd commis\sioned /\me to bring【 life to local k\ind\ergarten building/s and I d【ecided to get t【he\ ch】ildren in】volv/ed【 by encouraging them to take part in the brainstorm【/in/g process. I 【as】ked them questions like\ what they dreamt of, what th【eir f/avorite】 animals were, et/c. and together we create\d friend】ly animals all around\ the kindergarte】ns./"The Kinder/gart】e】n Project/Eva Szombat"In general, I beli【eve the sculptures in pub/li【c spaces affect 】p/eople&rsqu【o;s l/【ives no matte/r wher【e they are. And 【】as【 for【 【my wo/r/ks, they a\re a【lways\ exactly】 whe【re \they ne】ed to 【be and t/hey always somehow refle/ct and connect to/ the place they are in."Ho/w, in your opinion, does art he】lp】 raise awareness about impor/ta\n\t\ issues\ like a】nimal welfare an/d climate/ ch】a\nge?"In t【erms /of PR and communications, you can do a lot of messagin】g. 【I/ cre】ated a rhino sculp/】ture 【\for the Budapest Zoo in 2013 and it’s a re【curring th\】eme for me. Every ye】ar\ I p/ost a ph】oto of it an/d rem】ind my\ fol】\low\ers/ that this year there are a lot/ fewe】r of t】hem l/ef【t in the wild than the year b/efore." 【View this post on I\nstagra/mVisitin/g Sanyika【 a【t th【e Bartha Factory ?/?@tomi.bartha #【Sa\nyika #Sa】nyib&aacut】e;csi #rhino #rhino/ceros #wild\life #be/echwood #\【sculpt】ure #bigb/oy #gabormiklosszoke #габ【086; 】88;l【4;&【#【1080;клошсё 】82;еA post shared by Gabor Miklos Szoke,\ Artist (@gabo【rmszoke) on Mar 3, 【2016 at 1:20】pm P\ST\"I try to stick /to the animal t】heme /not \only【 be/cause they&rsqu】o;re a cool s【hape【 but because there’s an【 underlying message/ I /【usually want to get across with eac】h work. Because t【he】y are mostly/ on display in public 【】spaces it helps reac/h al/l ag【e grou】ps and social backgrou/nd【s and \ref】lect on the role an】imals pla/y in our lives."Share this article More\ 【from l/ifeBP4m

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A5DrFor 50 yea\r】s an Israeli【 o【il comp【【any has 】kept bathers 【off a Red Sea bea/ch near】 t/he resort of Eilat bu】t \it co【/uldn’t 】stop sea life from flouri\shing.I【n a wor\ld where co】【r】al r】eefs are s】hrink\ing rapidly, the one \in Eila\t has grown.Due/ to /a lack of human interf】e【rence,】 a spectacular /coral reef blo/】sso】med o】v【er time attracting exotic /fi】sh \and/【 dolphins to th/is 【aquatic paradi\se.The 300-me\tre-long be】ach was handed back to the publi\c a year an/d a half ago after the】 Eilat Ashkelon P【ipeline 】Company (EAPC) 【scaled back it\s operat】io【ns.Now, with access lift【【e/d, int】erest is /mounting 【f\rom scuba divers \an\d tourist】s/ alike w/ho want【 to vi】sit.In response, Israel's Na/ture and Par/ks Authority decided to relocate the cora\ls for their own pr/otecti】on so \the /ind】ustri/al de/bris left /】】by E【APC\ could be removed.S【hare this articleCopy/paste】 t【he article 【video embe】/d link below:CopyShareTweetSharesendS】hareTw】eetSharesendMoreHideShareSendSh【areShare\ShareSendSh/areShareY/ou\ might also 【like 】 '\;Israel is no l/onger a democracy�】9;: Netan\yahu accused of exp【loi】ting coron/avirus to sa/ve career 【 / 】 \】 / / Israel e\】lection: Exit p/olls give Netanyah】u nar\r/ow/ lead / 【 \ \ 】 】 】 / 】 \ \/ / 】 】 Palestinian P\resident Ab】bas cu】ts ties with Israel a】nd US 】over peace plan / More aboutCora/lsIsrael\Envir【onmentEnvironmental protectio【noil 【industry】Touri\sm Browse today's tag】s6c35

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xXQWImage】s of rubbish piling up in the ocean can be a depressing si/ght. But the good news is that 【ther/e are signs \that cleanup campa/igns are hav\i【ng an 【impact.\At the annual clean u】【p event in Marseille, le】ss a】nd less rubbish is being foun【d. Alain Dumort is head of \t【he Europe】an C】ommission Repres\entative Office in M\a】rseille. A pa\ssionate s】cuba diver, he has joined hundred\s\ 【of voluntee【rs making the plunge in【 muddy Old Por/t waters to 】clean u/p the piles\ of trash \a【ccumulated there over the years.Unli【kel】y as it seems, t/he situation here in M/arseille is imp】r/oving. 【 【 】 \ \ 【 / Alai\n 【/Dum/ort】 / \ 【 / 【 \ 】/ European Commission Representati/v/eMarseille 】 \ “Unl/ikely/ as it s【eems,】 the situation here in Ma】rseille i【s im】prov】ing,” he says. “The type of wast\e has chan/ged o】】ve\r the/ three years that we have bee】n co-organising this cleanup event. Why? Beca/use o】ur partners 【- I won’t name commercial bran【ds - are very consc\ious \o【f the problem. They&rs【q/u\o;ve cut/ do【wn on litter, e】spec\ially singl\e\-use pla/stic【, and/ inst/alle\d mor】e waste bins, so there's l\ess and less r】ubbish of /this【 type.&l【dquo;We see othe【r was】te such a】s buil\】ding-site barriers, bicycles and of cours】e electric scoo【ters, 】bu】t l\e\s/s】 and\ less of those too. And that's a p\【retty good【 】sign. Now the【 goal is to】 shift the emphas】is to rec\【ycling】 and reuse【,/ to deal with all the waste that still\ e/xists — that is the \priority.&rdq\uo;Cleanup operation \is a/ glo\bal moveme】ntThe Vieux-Port Pro\】p【re opera】t/i【on is one of 【over 70 similar events receiving fi】nan/c【ia\l and orga【nisational support of th【e #EUBeachCle】anup campaig\n around the globe.】&ldq】uo;This operation is part of a muc】h broader campaign, 】as we, t】he Euro】pean Commission, work】 at the Europea【n le【vel, but】 we also have a global calling," says D/umor\t./ "That's why this EU 【Bea】ch Cleanup c】ampa】i/gn is carried out tog/ethe】r wit【h the United Na【tions./"“Similar\ ope】rations/ are taking// p【lace i\n many co\un\t\ries around\ the world, an/d in】 par\t\【icula【/r【 throughout the Med】iter/ranean r【egion - in Italy/,】 S/pa\in, Algeri】a, in Morocco, Jordan and so o\n. It's a t/rul【y global o\p【eration, 【because we know full well that waste that comes 【for example from 】Eg【ypt, 【will one day end up in Cypru】s, or in It】aly,/ or【 here\【 in the Old Port of Marseille. So t【he goal of this】 campa】ign is to have a Eur/opean, a M】edite/rra\nean and a \global dimens【io/n【.”Share this articleC【op\y/paste the ar【ticle video embed\ \link below:/CopyShareT【weetSharesendShare【TweetSharese【ndMoreHide/ShareSendSh【areShareShareSendSh】are【ShareMor】/e aboutC\o/ntaminat【ion of 【wa】terEnvironment\al p【ro】tec【tionSea 【 / 】 】 Most view\ed 【 / \ 】 【What influence on climate is 【the coronavirus lock【do/wn re/all【y having?】 \ \ 】 / The new A【I/ system safeg/uar\ding premature babies from i【【nfection】 /【 \ 】 Me\ssenger R】NA/: the molec\ule that may t\each our bodies /to】/ bea】t canc/e\r \ 【 Apple【 and Google say they'll work 【together 】to trace spread of coron/avir\us via sma/rtphones 【 】 Ho】w E】U\ funding is changing the face of Latv】ian innovatio】n 【 】 【 Browse t【oday'】s \tagsGEKu

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V4V7Text sizeAaAaJames Bo/nd actor】 J\avier Bardem has tak\】e/n to t【he streets of New York’s Tim】es Square【 to demand gre【】ate】r protection fo\r】 the worl【d’s oceans 【】ahead【【 of a mee/ting with th】e U/nite】d Nat\ions.The Oscar winner gave an 【imp/assioned spee】ch,\ \call/ing on deleg】ates at the U【N/ Convention on the Law \】of the Sea to agr\ee ta\rgets and give the green【 light to a Gl/obal Oce【ans Treaty./ Su\【ch an agreement /would increase the 】amount of international\ waters\ granted environmen/tal protection from 1% to 30% 】by【 2030.Bardem/ became an activ】ist with Gre/en【peace, focu【sin/g on】 p/rotection/ for An】tarctica at the//【 beginnin\g of\ last year.“The \ocean and its /inhabitants know no bou/ndaries. What ha】ppens in the /hig/h s/eas【, do/\e/sn&rsquo【;t stay /there. Whales, 【\turtles and fish don&rsquo/;t know our bo【r/ders/,&rdqu【o; Bard】em told【 the ass】em】bled media in Time\s 】Square.“They are a【ll co\nnected, and we 】are 】conne/ct\ed \to them.\ Our oce\ans are on the ve\rge of【 collapse and we】 have/\ all p/layed \a huge role in this. Now we mus/t all play\ our part to stop it by securing a st【ron】g Glob【al Ocean【 T【rea】ty.”Bard\em also 】pose/d for pi】ctur\【es alongside a ne】arly 6-metr/e tall【 sculptu\re of w】hales and turtles erec/】ted by Gr/ee】npeac【e outs【i【de N【ew York&【r【squo;s UN【 building. The artwork \rep\resented man】y of the threa】ts【 t/o】 mar】ine】 life from p/l/a\stic pollution to oil drilling, said the env/ironment charity.Threat of【 extinctio】nThi】s f\res【h pus】h【 for【 a Global Oceans Treaty】 comes after the Global Biodiversity Assess】ment Report found more tha\【n /a t/h\ir/d of marine mammals an\d shark speci【es are currently facing t\he threat o【f exti\nction. 】Gr【eenpea/ce has been\ campaigning/【 for th【e policy for more a decade, counting celebrities including Big Little \Lies\ star Shailene Woodley as】【 support\ers\.“Our o【ceans are in cr】isis and existing 【frame\work【s 】for safegu】【arding t【hem are inadequat【e. /Only 1% \of in【ter【national waters, which co】ver almost half the planet, are effecti】vely/ prote【ct/ed,” sa/id Will M\cCallum, Greenpeace o】ceans cam/pa【ign】er.The sculpture installed by Greenpeace depicts tu/rtles】 a/nd whales/ trapped in ghost gear©\【; Stephanie】 Ke【ith / Gr】eenpeace&ldquo【;Restorin】g the【 health of our oceans i\s critical in pre\】serving ma\rine life, tackling the clima/te crisis, and sustaining the lives and li\vel\ihoods of millio【ns of】 people who depend on them. A str】on】g Global Oc\ean \Treaty w/ill pave【 the way for a /【net】work of s】anct\uaries tha\t will p【lace at least a third】 o】f the【 world&rsquo】】;s oceans off-limit【s to hum/an activities.”Dr Essam Yassin Mohammed of t】he\ In/ternation\al Institute for Env\i】ronme】nt and Development said i/t was【 &l\dquo;/surprising&r】dquo; no such /laws were alread【y in effect, su\g】gesti【ng the/ 】n\【ew treaty s/hould pre\vent unsustainable fishing and ensure pari【ty 【of access for developing countries.&ld/quo;Th【e equi】table distributi】o】n of /conse】rvat\ion benefi【ts of /the high seas shou/ld \also be【 at 【the core of the negotiatio/ns. Any ne】w global agreement must ensure that /】de】sign/ated protec】ted ar【e【as consi\de】r h\ow to sup【port coastal communities ac\ross the developing world.”Share this a/rticle 【 More from lifeNCJB

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HMnKText 】s/izeAaAaAfter more tha\n a week of \protests a】round London,【 the cap/ital&rsq【/uo;s】 police force has rescinded its permissions f/or \E/x【tinction Rebel/lio/n to /pro/te\st in the UK cap/i【tal.Re/bels had pr【evio\usly /been campin/g a【t locations around Lon【don, wi】th\ a base camp\ established under the Nels/on’s C】olumn in Trafalgar S【qu/are.Traffic a/round Trafalgar Square was rerout/ed l】ast week af】ter p/\rotestors took t\o the streets,】 bl【ocking roads in a bid to ra【ise aw/a/r/eness on cli】mate change. They were calling on th/ose in pow】e/r to ta【ke immedia\te climate action, i/ncl/uding expeditin\g the【 process of beco【ming car\bon neutral.The\ Metropolitan Po【lice c/【/ited 【the 1,445 arrests】 it had made - including that of 】a 75 y/】\ear old - alongside prote/sts disru\p【/tin/g tra\vel and\ busines\s in the 】City of Lond/on 【as reasons for cl\amping down on 】the protest.“These conditions hav【e been imposed 】/due】 】t【o th】e continue/d breaches o\f the s\ection 14 【condition previ/ously imp【lemented, and ongoing serious \disruption to the community,&rdq/uo; Depu【ty【 \/Assi/stant Commissioner Laur/ence Taylor said i/n the announ\cement.&/ldquo;】We h】ave made【 s//ignific\ant progress in\ managing】 】Ext/inc】ti\on R/ebellion’s activity/】 at sites across【 central London over this】 past\ week. Officers have b\eg\un the process of clearing Trafalga/r Square a/nd getting things back to normal,” he added.Extinction Rebellion co/nfirme/d/ it would relinquish Traf/alga【r /Square to authorities but in a 【statem】ent said:】 “The Internationa】l Rebell】ion conti【n/ues.”&ldqu】o;Th【e Cli\m】ate and Ecological Emergency isn&rsq\uo;t going away and we rema【in【 re/solut【e in f\acing i\t】,&rdq/uo; th\e statement contin/ues.&ldq\【uo】;We /urge the Gover/nment an/d the authorities to join us in doing the same. We【/ /cann】ot do it】 alone.”Howe】ver】, \in a Tweet, the activism gr】o【up admitted it broke the law &\ldquo【;\【in careful &】 deliberate way\s, fully un\derstanding \the\ /conse/quences of action b】eing tak】en”.It wen】【t on\: &/ldquo;/】Today,【 an unprece【dente】d, poli【tical\, de\cisio\n has been taken t【o shu/t down pe\ac/efu\l prote/st \call【ing out t/he gover\n/ment fo\r inaction in the f\ace of cris/is./&rdq【uo;Reactions in the T/witterverseMany of those pr【otesting took to socia\l media\ 【to\ highlight their fury at the decision to end the protest a w/eek early.Share this article 】 More from placesPvmZ

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